不可沟通的沟通：伊纳里多电影“隔阂三部曲”的主题及其表现

发布时间：2018-05-02 20:10

  本文选题：主题 + 隔阂　； 参考：《南昌大学》2015年硕士论文

【摘要】：墨西哥导演亚历桑德罗·冈萨雷斯·伊纳里多的三部电影《爱情是狗娘》、《21克》、《通天塔》被认为是他的“隔阂三部曲”。这三部电影是伊纳里多的代表作,并有着导演强烈的个人风格。三部电影有一以贯之的主题,都表达了对人类生存状况和精神境遇的关注,尤其是对人类沟通困境这一主题的思考。虽然社会在不断进步,人与人的沟通有了更多渠道更加便捷。可是人们反而更容易把自己封闭起来。而在全球化的今天,人们提出了“地球村”的概念,让不同地区、不同国家的时空距离无限缩短。可是,战争、歧视、隔阂这样的问题却始终都伴随着人类社会。在这样的背景下,导演在电影中对“隔阂”这一主题的关注就显得极具价值。本文主要分为三个部分。第一章是对伊纳里多“隔阂三部曲”的主题进行分析,导演对“隔阂”的关注视角不断扩展,层层深入。第二章是分析导演极具个人风格的镜头语言在表达主题方面的作用。第三章通过对“隔阂三部曲”叙事风格的研究,了解叙事方式、人物设置、情节、细节等在电影主题表达中做出的贡献。
[Abstract]:Mexican director Alessandro Gonzalez Innerido's three films, Love is a bitch, < 21 grams, "the Tower of Heaven" is thought to be his "estrangement trilogy." These three films are Inarrido's masterpieces and have a strong personal style of directing. The three films have a consistent theme, which expresses the concern about the living conditions and spiritual conditions of human beings, especially the theme of the plight of human communication. Although the society continues to progress, the communication between people has more and more convenient channels. But people tend to shut themselves up more easily. In today's globalization, people put forward the concept of "global village", which makes the space-time distance between different regions and countries shorten infinitely. However, the problems of war, discrimination and estrangement have always been accompanied by human society. Against this background, the director's attention to the theme of "estrangement" in the film is of great value. This paper is divided into three parts. The first chapter analyzes the theme of Inarrido's estrangement trilogy. The second chapter is the analysis of the director's very personal style of lens language in the expression of the theme. The third chapter studies the narrative style of estrangement Trilogy to understand the contribution of narrative style, character setting, plot, detail and so on.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
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本文编号：1835311