新千年以来好莱坞魔幻与中国武侠神怪类型比较研究

发布时间：2018-05-03 01:31

本文选题：魔幻电影 + 神怪片　；参考：《西南大学》2013年硕士论文

【摘要】：新世纪序曲刚刚奏响,好莱坞魔幻电影迅速登上世界电影舞台,开始了一场汇聚全世界观众的演奏会。魔幻电影在电影市场强势传播,使它成为一种别具一格的文化现象。伴随着魔幻电影的强劲势头,国产神怪片随之崛起,在对“核心程式”梳理中两者表现出许多相似性的特质,又存有独特性差异。本文试图以魔幻电影与国产神怪片作为比较对象,从类型理论的“核心程式”,即叙事与情节、人物谱系与形象、视觉环境对比营造、文化来源等方面进行详细的比较研究,揭示好莱坞魔幻类型影片的“核心程式”强大内驱动力,并通过比较探究神怪片的短板,同时发掘神怪片本土类型资源的激活再造,以及神怪片蕴含的当代性气息的深层原因。最后,将落脚点放在类型建设与亚类型滋生上,期望对当下乃至未来神怪片类型建设提供可行性建议。本文分为五个部分,整体框架如下：第一章：绪论。第二章：魔幻类型与武侠神怪类型的银幕表现。这一部分是对核心概念以及研究对象的界定。指出两者在同一时期的热映并成为文化现象的动因。第三章：魔幻类型与武侠神怪类型的比较研究。本章首先基于比较研究法,阐释与描述二者类型特质,指出二者毋庸置疑的可比性。并探究魔幻电影与神怪片类型演变历程,区分科幻与魔幻、武侠与神怪之间的类型差异,为核心程式比较提供史实与理论依据。通过主要人物谱系与形象塑造、叙事与情节设置、视觉环境造型的营造、文化来源与应用等比对,具体解读核心程式的差异性与同一性。第四章：比较中的参照。通过比较中类型程式存在的差异性,探究神怪片人物与形象的人文性缺失,神怪智慧浅平化、过度依赖技术呈现奇观画面、内动力不足等创作短板的深层因素。第五章：通过比较探究神怪片的优势与不足,将落脚点放在类型建设与亚类型滋生上,期望对当下乃至未来神怪片类型建设提供可行性建议。
[Abstract]:The prelude to the new century has just been played, and Hollywood magic film has quickly stepped onto the world stage and started a concert with audiences from all over the world. Magic film spreads strongly in the film market, making it a unique cultural phenomenon. With the strong momentum of magic movies, the domestic genie films rise with it. In combing the "core program", the two show many similar characteristics, but also have unique differences. This paper attempts to make a detailed comparative study on the "core program" of type theory, that is, narration and plot, pedigree and image of characters, contrast and construction of visual environment, cultural source and so on. This paper reveals the powerful internal driving force of the "core program" of Hollywood fantasy movies, and explores the short board of genie films by comparing them, and at the same time, explores the activation and reengineering of the local resources of genie films and the deep reasons for the contemporary flavor contained in the genie films. Finally, we put our focus on type construction and subtype breeding, and hope to provide some feasible suggestions for the construction of geniuses in the present and future. This paper is divided into five parts, the overall framework is as follows: Chapter one: introduction. The second chapter: the type of magic and martial arts genie type of screen performance. This part is the definition of the core concept and research object. It is pointed out that both of them have become the motivation of cultural phenomenon in the same period. Chapter three: a comparative study of magic types and martial arts geniuses. Based on comparative research, this chapter explains and describes the characteristics of the two types and points out their indisputable comparability. It also explores the evolution of magic movies and genie films, differentiates the types between science fiction and magic, martial arts and genie, and provides historical facts and theoretical basis for the comparison of core programs. Through the comparison of main characters genealogy and image creation, narration and plot setting, visual environment modeling, cultural source and application, the difference and identity of the core program are explained in detail. Chapter four: reference in comparison. By comparing the differences in the types of programs, this paper probes into the deep factors in the creation of genie films, such as the lack of humanism of characters and images, the shallow leveling of genie wisdom, the over-reliance on technology to present marvelous images, and the lack of internal motive power. Chapter five: by comparing the advantages and disadvantages of the genie film, the author puts its foothold on the type construction and subtype breeding, hoping to provide feasible suggestions for the present and even future genie genre construction.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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