中国电视剧历史叙事中的权力与性别——以宫斗剧为例

发布时间：2018-05-05 13:32

本文选题：电视剧 + 宫斗剧　；参考：《烟台大学学报(哲学社会科学版)》2017年06期

【摘要】：宫斗剧由中国古代宫廷历史正剧发展而来,在其十几年的发展中不断遭受各种争议和批评,但时至今日仍然有着强劲的艺术生命力。宫斗剧在女人的"权力游戏"中继承了宫廷历史正剧的权谋文化内容,但其历史叙事中的"艺术失真"及对权谋文化反思的缺位都使其难以产生质量上乘的艺术精品。从性别视点看,无论权力游戏还是情爱叙事,宫斗剧都完成了由男性主体到女性主体的"性别翻转",但其所传达的现代女性意识和观念极为有限,在某种意义上更多是源于大众消费文化的需要。在未来中国电视剧的历史叙事中,能否通过叙事和镜语建立一套基于现代思想观念的新认同机制将是决定中国历史剧艺术质量的首要因素。
[Abstract]:The imperial court drama developed from the history of court in ancient China has been subjected to various controversies and criticisms in its development for more than ten years, but it still has a strong artistic vitality today. In the woman's "Game of Thrones", Gong Dou Opera inherits the cultural content of court history drama, but the "artistic distortion" in its historical narration and the absence of reflection on the power culture make it difficult to produce high-quality fine arts. From the point of view of gender, no matter the game of power or the narration of love, the palace play has completed the "gender reversal" from the male subject to the female subject, but the modern female consciousness and concept it conveys is extremely limited. In a sense, it is more from the needs of popular consumer culture. In the historical narration of Chinese TV dramas in the future, whether or not to establish a set of new identification mechanism based on modern ideology through narration and mirror language will be the primary factor to determine the artistic quality of Chinese historical drama.
【作者单位】：烟台大学人文学院;
【基金】：山东省社会科学规划研究项目“中国现代小说电视剧改编的文化研究”(14CWXJ26) 山东省高等学校人文社会科学研究项目“中国小说在21世纪的影视改编研究”(J15WD12)
【分类号】：J905

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