张彻武侠电影研究

发布时间：2018-05-07 11:31

本文选题：张彻 + 武侠电影　；参考：《河北大学》2013年硕士论文

【摘要】：在所有电影类型中武侠电影是我国独有的，从其定义来讲可划归为动作片，但它又具有自身所独有的艺术特色和深厚文化内涵，是中国电影艺术的一面旗帜。而每当提及武侠电影时有一个人是不能不提的，他就是张彻。他是武侠电影蓬勃发展的奠基人之一，为早期武侠电影的发展，，尤其是新派武侠电影的发展做出了不可磨灭的贡献。 “阳刚武侠”是张彻武侠电影的代名词，尤其是他的武侠电影中对暴力和死亡的描绘虽然曾引起种种争议，但无疑是大胆的也是成功的。张彻武侠电影的所有主角都是男性，突出的是男性之间的情谊，男人的豪气、义气、霸气，以及“士为知己者死”的侠义豪情。赤膊上阵、盘肠大战展现的是中华儿女不畏强权、视死如归的民族精神，在武侠电影中塑造了一种硬朗、健壮的性格，形成了其“阳刚武侠”的电影气质。张彻武侠电影所具有的不仅是内在的阳刚气质和暴力奇观，而且还具备着大师级的电影表现手法，以及自己的一套视听技巧，这是成功电影所必备的。如电影镜头的快速剪辑、画面构图的考究、交响配乐的选用、后期配音的使用等等，如此之多具有独特性的表达方式，在充分表现作者思想的同时，丰富了武侠电影的内容。在其不断的摸索与运用当中，逐步形成了张彻对于暴力与死亡的独特表现形式，那便是“暴力美学”。作为新派武侠电影的开山鼻祖，张彻的武侠电影具有自身独特的表现手法和艺术风格，“阳刚气质”、“暴力美学”是其电影创作生涯中所坚守与贯彻的，一部部经典的影片成为了一座座不朽的丰碑。作为香港影坛的第一个“百万导演”，除了给后世留下脍炙人口的作品外还对后来的武侠电影美学风格起到了重要作用。本文以张彻的代表性武侠电影为立足点，深入分析他的电影艺术特色，以及他对武侠电影发展所做出的杰出贡献。同时将“暴力美学”、“阳刚武侠”等相关艺术名词作进一步梳理，使大家能有一个较为清晰的概念认识，探索张彻武侠电影的独特艺术魅力。
[Abstract]:In all kinds of films, martial arts film is unique in China, which can be classified as action film by definition, but it has its own unique artistic characteristics and profound cultural connotation, which is a banner of Chinese film art. Whenever mention of martial arts movies, there is a person is not to mention, he is Zhang Chou. He was one of the founders of the vigorous development of the martial arts film, and made an indelible contribution to the development of the early martial arts film, especially the development of the new martial arts film. Yanggang martial arts is a synonym for Zhang Chou's martial arts movies, especially the depiction of violence and death in his martial arts films has aroused all kinds of controversy, but it is undoubtedly bold and successful. All the protagonists in Chang Chou's martial arts film are male, highlighting the friendship between men, the pride, righteousness, hegemony and chivalrous feelings of "the scholar dies for his confidant". Bare-nosed, disco war shows the national spirit of Chinese sons and daughters who do not fear power and look as if they are dead. They have shaped a strong, robust character in the martial arts movies and formed their film temperament of "masculine swordsman". Zhang Chou's martial arts film not only has the inner masculine temperament and violent spectacle, but also has the masterful film expression technique, as well as his own set of audio-visual skills, which is necessary for the successful film. Such as the fast editing of film lens, the study of picture composition, the selection of symphonic music, the use of late dubbing, and so on, so many unique ways of expression, while fully expressing the author's thoughts, enriched the content of the martial arts film. In its constant exploration and application, Zhang Chou's unique form of expression of violence and death is gradually formed, that is, "violence aesthetics". As the originator of the new martial arts film, Zhang Chou's martial arts film has its own unique expression technique and artistic style, "masculine temperament", "violent aesthetics" is his film creation career adhere to and carry out. A classic film has become a monumental monument. As the first "one million director" in Hong Kong film, it not only left a famous work for later generations, but also played an important role in the later martial arts film aesthetic style. Based on Zhang Chou's representative martial arts films, this paper analyzes his artistic characteristics and his outstanding contributions to the development of martial arts films. At the same time, the related art terms such as "violent aesthetics" and "masculine martial arts" are further combed, so that we can have a clear understanding of the concept and explore the unique artistic charm of Zhang Chou's martial arts films.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

【参考文献】