论新时期以来文革题材电影的创作流变

发布时间：2018-05-11 03:21

本文选题：文化大革命 + 文化思潮　；参考：《陕西科技大学》2013年硕士论文

【摘要】：中国近代历史一直是以政治为轴心在旋转，政治局势影响着甚至支配主宰着社会生命的各个方面，，从经济到文化，从生活到心理。而上世纪六、七十年代席卷中国的文化大革命（以下简称文革)，更是这种“政治泛滥”的一个具体时代显影。文革一般被认为是从1966年5月中央政治局扩大会议的召开开始，以1976年“四人帮”反革命集团的粉碎画下了句点。这一场“触及全中国人灵魂”的文化革命，在许多学者和历史学家的剖析和记载下，都被呈现为中国的“十年浩劫”。它更被著名学者戴锦华称为“死亡与戕害人类的魔舞”。历史，所扮演的角色便是抵抗时间的流逝去追溯过去的人与事，继而赋予某一个过去时间永存的魅力。然而，一段被认为造成浩劫毁灭的历史，如何被经历过那段时光以及后世人们所感受、记载、书写以及描绘，其实是非常值得探讨的。电影，这个艺术的“第七个孩子”的诞生，丰富了人类对历史的描述能力。电影并不因为它是一种艺术而失去它描绘历史的权力，它透过自身独特的叙事话语空间和影像世界，名正言顺的成为言说历史的一个文本。电影给我们一种全新类型的历史，更为我们呈现一个多层次的过去。本论文主要是对1978年改革开放后所摄制的叙事背景有关文化大革命的电影进行分析，探讨这些影片里对文革的刻画，试图勾勒出这些文革再现与当代中国文化情境的关联性。自80年代以来，我国的文化情境已经产生了颇多变化。这些文化情境及电影叙事的变徖笔者主要分为三个部分来阐述：第一部分为文革过后的整个80年代；第二部分为90年代后中国高速迈入全球化和市场经济化时期；第三部分为21世纪以来的文革题材电影创作。
[Abstract]:The modern history of China has been revolved on the axis of politics. The political situation affects and even dominates all aspects of social life, from economy to culture, from life to psychology. The Cultural Revolution, which swept China in the 1960s and 1970s, is a concrete manifestation of this "political flood". The Cultural Revolution was generally considered to begin with the opening of the enlarged meeting of the political Bureau of the CPC Central Committee in May 1966, and ended with the smashing of the Gang of four in 1976. This cultural revolution, which touches the soul of the whole Chinese people, has been presented as "ten years of catastrophe" by many scholars and historians. It is more famous scholar Dai Jinhua called "death and killing of mankind's magic dance." The role of history is to resist the passage of time to trace past people and events, and then endow a past time with lasting charm. However, it is worth exploring how a history that is believed to have caused havoc and destruction was experienced during that period and the feelings, records, writing, and depictions of later generations. Film, the birth of the seventh child of the art, enriches man's ability to describe history. The film does not lose its power to depict history because it is an art. It becomes a text of history through its own unique narrative discourse space and image world. Film gives us a new type of history, and we present a multi-level past. This paper mainly analyzes the narrative background of the Cultural Revolution made after the reform and opening up in 1978, discusses the depiction of the Cultural Revolution in these films, and attempts to outline the relevance between these reappearance of the Cultural Revolution and the contemporary Chinese cultural situation. Since 1980's, the cultural situation of our country has produced quite many changes. The author mainly divides into three parts: the first part is the whole 80's after the Cultural Revolution, the second part is the period of globalization and market economy after the 1990s. The third part is the film creation of the Cultural Revolution since the 21 st century.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J909.2

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