《美女与野兽》的多重审美元素

发布时间：2018-05-16 02:00

  本文选题：《美女与野兽》 + 比尔·康顿　； 参考：《电影文学》2017年21期

【摘要】：《美女与野兽》(2017)改编自迪士尼的"十部白金典藏动画片"之一,于1991年推出的同名动画电影。由于动画版曾经是创造入围奥斯卡最佳影片的奇迹之作,绘本版在世界上广泛发行,在"致敬"的思维下,电影版主创并不打算对原有剧情进行尺度太大的改造。真人版电影《美女与野兽》在给观众呈现一道娱乐盛宴时,主要看点在于其在多方面完美融合的多重审美元素。文章从视觉审美、文化审美、精神审美三方面,分析《美女与野兽》中多重审美元素的融合。
[Abstract]:"Beauty and the Beast" was adapted from one of Disney's "Ten Platinum Collection cartoons" and was released in 1991 as an animated film of the same name. Since the animated version was once a miracle in creating best picture for the Oscars, it is widely distributed around the world, and under the idea of "salutation", the creator of the film version does not intend to reinvent the original plot on too large a scale. When the live-action film Beauty and the Beast presents a feast of entertainment to the audience, the main point is that it has many aesthetic elements which are perfectly integrated in many aspects. This paper analyzes the fusion of many aesthetic elements in Beauty and Beast from three aspects: visual aesthetic, cultural aesthetic and spiritual aesthetic.
【作者单位】： 吉林动画学院;
【基金】：吉林省教育厅“十三五”社会科学项目“绘本产业项目多元化融合设计与研究”(项目编号:JJKH20170994SK)
【分类号】：J954
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本文编号：1894923