中国当代类型化电视剧的发展对类型电影演进的影响研究

发布时间：2018-05-16 02:25

本文选题：类型电影 + 演进　；参考：《辽宁大学》2013年硕士论文

【摘要】：提起类型电影,人们会很自然的联想到经典好莱坞时期许多赫赫有名的类型片和电影类型,西部片、爱情片、歌舞片等等。类型电影,作为好莱坞电影尤其是经典好莱坞时期的经典范式,广受国内外学者的热切关注。然而上世纪60年代后,美国好莱坞的经典类型电影开始走上了变迁的道路,新旧好莱坞开始更迭。在中国,上世纪70年代末到80年代初,中国内地出现了许多轰动一时的类型片：喜剧片、儿童片、反特片等,这些电影掀起了一时的观影高潮。然而令人意想不到的是,80年代中后期,传统类型电影逐渐销声匿迹,集体走向了变迁之路。对于曾经在中国电影史上盛极一时的类型片,多数学者将其原因归咎于第五代导演的“反类型”革命,认为是他们对个性的追求导致了传统类型片偏离传统。类型电影的演进还有许多其他原因,类型电影自身缺陷使然,电影生存环境的变化,电影市场需求的变化,电影观众的变化,电影技术的进步和发展等原因一时间在学术界浮出水面,众说纷纭。本文主要探讨了中国类型电影发生演进的原因,并指出电视剧的产生、发展与扩散促使了中国类型电影发生变化,强调电视剧这一媒介因素是导致电影发生演进的根本性原因,从本质上解释了中国类型电影何以演进的根源。本文共分五个部分,第一部分是绪论,简要介绍了本文的结构,国内外研究概况及研究特色等内容；第二部分作为文章的整体铺垫,介绍了什么是类型电影,既限定了研究范围也明确了研究对象,使文章其后的论述有的放矢,同时介绍了中国类型电影在1970年代后和1980年代初的兴盛与衰落,从中国类型电影自身缺陷、电影生存环境的变化、第五代导演的“反类型“革命、中国电影观众的变化、技术的进步与发展等方面做了分析；第三部分和第四部分共同构成本文的核心重点部分,第三部分集中介绍了电视及电视剧的产生与发展,给电影带来的冲击,并强调了类型化电视剧的兴盛对类型电影的影响,第四部分从电视剧自身媒介特点出发,通过对电视剧的题材选择、电视剧与观众的日常生活、电视剧与观众的使用与满足、影视创作者角色互换等方面的综合分析,多角度切入,从而归纳总结出了“电视剧的产生和发展是导致中国类型电影发生演进的根本原因”这一论断,同时从媒介环境变化的角度出发,对中国类型化电视剧的内容和形式做了详尽的分析,最终证明了“媒介环境是媒介发展的重要因素”这一论点：第五部分结合前四个部分的论述,对中国类型电影和电视剧的未来发展做了展望,并指出了影视媒介融合的大势所趋。
[Abstract]:With type films, people will naturally associate the classic Hollywood period with many famous genre films and films, western films, love films, singing and dancing films and so on. Type films, as classic paradigms of Hollywood films, especially the classic Hollywood, are widely concerned by scholars at home and abroad. However, after the 60s of last century, beauty The classic movies of Hollywood in China began to go on the road of change, and the new and old Hollywood began to change. In China, in the late 70s of the last century to the beginning of 80s, there were many types of movies in the mainland of China: comedy, children's film, and anti - film. These films set off a high tide of view. However, it was unsurprisingly, 8 In the mid and late 0s, the traditional type films gradually disappeared, and the collective went to the road of change. Most scholars attributed the reasons to the "anti type" revolution of the fifth generation directors in the history of Chinese film. It was thought that their pursuit of individuality led to the deviation of traditional genre films from traditional films. There are many other reasons for the evolution, and the defects of the type film itself, the changes in the living environment of the film, the change in the demand for the film market, the change of the movie audience, the progress and development of the film technology have come to the surface of the academic circles for a time, and the reasons for the evolution of the Chinese type films are discussed and the electricity is pointed out. The emergence, development and diffusion of the TV play prompted the change of Chinese type films, emphasizing that the media factor is the fundamental cause of the evolution of the film. It explains the origin of the evolution of Chinese type films in essence. This article is divided into five parts. The first part is an introduction, which briefly introduces the structure of this article, at home and abroad. The second part, as an integral part of the article, introduces what type of film is, which defines the scope of the study as well as the object of the study, so that the later exposition of the article is targeted. At the same time, it introduces the prosperity and decline of Chinese type films after 1970s and early 1980s, from China type electricity. The change of the shadow itself, the film's living environment, the "anti type" revolution of the fifth generation of directors, the change of the Chinese movie audience, the progress and development of the technology, the third and the fourth parts constitute the core part of this article, and the third part focuses on the production and development of TV and TV dramas, and the power supply is given. The impact that the shadow brings, and the influence of the flourishing of the typed TV play on the type of film, the fourth part from the media characteristics of the TV play, through the selection of the TV drama subject, the daily life of the TV play and the audience, the use and satisfaction of the TV play and the audience, the exchange of the role of the film creator, and so on. From the point of view of the change of media environment, the paper makes a detailed analysis of the contents and forms of Chinese typed TV dramas, and finally proves that the media environment is the important cause of media development. The fifth part discusses the future development of Chinese type films and TV dramas, and points out the trend of the integration of film and television media.

【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】