南通影人早期影剧活动研究

发布时间：2018-05-16 15:40

本文选题：早期电影 + 早期戏剧　；参考：《南京艺术学院》2013年硕士论文

【摘要】：作为“重构电影史”的一个新视角，地域文化与中国早期电影业的关系不容小觑。与上海一江之隔的“中国近代第一城”南通培育出多位重要影人，他们的主要活动贯穿于三、四十年代早期电影史的繁荣时期，对左翼文化运动、“民族表演体系”的设想、对早期现实主义电影都有着程度不同的贡献，为中国早期电影时期的电影、戏剧事业带来了很大的改变和创造，而这与他们的出生地和成长地南通的地域文化有着必然的关联。本文着眼于对南通影人在中国早期电影时期的活动考察，以具体影人为个体、按照自然活动组织，通过此番考察研究出他们之于中国早期电影的作用及贡献。引言介绍选题的缘起、研究对象，正文共分为五部分，第一章介绍南通的地域特性、近代化沿革、特有的南通文化以及几位影人早年在南通进行的戏剧活动；第二章围绕南通影人去往上海后进行的戏剧活动为主，，以时间为线索，分为左翼文化运动时期和抗战时期两个阶段；第三章和第四章为本文的主要章节，分别阐述赵丹、顾而已、朱今明、王尘无、罗及之等人在上世纪三、四十年代从事的电影活动及意义；第五章结论部分，总结南通影人在中国早期电影时期做出的多方面贡献。
[Abstract]:As a new angle of view of reconstructing the history of film, the relationship between regional culture and Chinese early film industry should not be underestimated. Nantong, "the first City of Modern China", separated by a river from Shanghai, nurtured a number of important filmmakers whose main activities ran through the prosperous period of film history in the early 1930s and early 1940s. They envisioned the left-wing cultural movement and the "national performance system." All of them have different contributions to the early realistic movies, which have brought great changes and creation to the film and drama cause of the early Chinese film period, which is inevitably related to their birthplace and the regional culture of Nantong, where they grew up. This paper focuses on the activities of Nantong filmmakers in the early period of Chinese films, taking the specific filmmakers as individuals, and according to the organization of natural activities, studies their role and contribution to the early Chinese films through this investigation. The introduction introduces the origin of the topic, the research object, the text is divided into five parts. The first chapter introduces the regional characteristics of Nantong, the evolution of modernization, the unique Nantong culture and the drama activities carried out in Nantong by several filmmakers in the early years. The second chapter focuses on the drama activities carried out by Nantong moviegoers after they have gone to Shanghai, which is divided into two stages: the period of left-wing cultural movement and the period of anti-Japanese war, the third and fourth chapters are the main chapters of this paper, respectively, which elaborate Zhao Dan, Gu, Zhu Jinming, Wang Duwei, Luo and others engaged in film activities and their significance in the 1930s and 1940s. Chapter five concludes with a summary of Nantong filmmakers' contributions to the early film period in China.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J909.2

【引证文献】