电影画面空间感的构建方式

发布时间：2018-05-18 05:34

本文选题：空间感 + 透视　；参考：《上海师范大学》2014年硕士论文

【摘要】：电影画面空间是银幕所表现的社会生活的影像,这就决定了电影画面的造型形式属于平面造型,而用只有二维的空间的平面来表现具有三维空间的客观景象,无疑是一个难题。然而,任何一种艺术的生命力就在于它能够用各种方法和手段克服自身的局限,完美地表现自己。现代科技提供用平面空间表现立体空间的表现手段和方法是多种多样的。电影画面的空间感就是通过光线、声音、色彩、场面调度、构图以及计算机技术等方式来营造空间效果,使观众对电影画面的视听感受不再仅限于一个简单的平面,而是一个能够透视外部三维世界的窗口。电影空间美学形态随着技术的不断进步和艺术思潮的不断发展而前进。在这个过程中，最重要的动力是艺术家对于不断增强的艺术表现力的追求。文学、戏剧是电影的基础，而电影自身具有的无与伦比的特点就是空间上的多元性与多变性，是其区别于其他艺术的重要特征。文章将分为四个部分进行分析。第一部分研究透视学与画面空间感的关系，如何通过线条透视、焦点透视等方法加深画面的空间感，并以电影中的画面做以说明。第二部分则从场面调度的角度分析，如何通过角色调度、摄影机调度以及角色与摄影机同时调度来实现画面的空间感。第三部分从色彩的特性出发，如何搭配不同的色彩，，运用色彩的诱目性和易视性来深化画面的空间感。第四部分分析了3D电影技术以及计算机特效是如何塑造画面空间感的。电影画面空间感构建方式的变化发展告诉我们，人们对于电影艺术的追求，要求电影技术不断发展，同时电影技术又促进电影艺术越来越完美。
[Abstract]:The film screen space is the social life image which the screen displays, which determines the film screen modelling form to belong to the plane modelling, but uses only the two-dimensional space plane to express has the three-dimensional space objective scene, is undoubtedly a difficult problem. However, the vitality of any kind of art lies in its ability to overcome its own limitations and express itself perfectly. Modern science and technology provides a variety of ways and means to express stereoscopic space with plane space. The sense of space of a movie screen is to create a space effect by means of light, sound, color, scene scheduling, composition and computer technology, so that the audience's audiovisual perception of the film picture is no longer limited to a simple plane. It is a window that can penetrate the external three-dimensional world. With the development of technology and the trend of artistic thought, the aesthetic form of film space advances. In this process, the most important motive force is the artist's pursuit of increasing artistic expressiveness. Literature and drama are the basis of the film, and the unparalleled feature of the film itself is its diversity and variability in space, which is an important feature that distinguishes it from other arts. The article will be divided into four parts for analysis. The first part studies the relationship between perspective and space, how to deepen the spatial sense of the picture through line perspective, focus perspective and so on, and explain it with the picture in the film. In the second part, from the perspective of scene scheduling, we analyze how to realize the spatial sense of the picture by role scheduling, camera scheduling and the simultaneous scheduling of roles and cameras. The third part starts from the color characteristic, how to collocate the different color, uses the color attractive and easy to see to deepen the picture space feeling. The fourth part analyzes the 3D film technology and how computer effects shape the space sense of the picture. The change and development of space sense of film picture tells us that the pursuit of film art requires the continuous development of film technology, and at the same time, film technology promotes the film art to become more and more perfect.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J93

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