论李少红电视剧的影像风格

发布时间：2018-05-20 09:45

本文选题：影像符号 + 影像造型　；参考：《山西大学》2013年硕士论文

【摘要】：李少红作为一名女性导演,她以女性视角为切入点,以女性角色为表现对象,演绎女性世界的情感历程,这些创作原则都是她女性意识的自觉性体现。在以男权为主宰的社会中建立了独特的创作思维：诗意化的创作理想、电影化的拍摄手法,这些电影元素的成功运用创建了李少红自己的影像世界。影像符号是影像的基本构成元素。无论是诗情画意的视觉造型,还是哀婉悠扬的听觉造型,都深深地打上了李少红影像风格的烙印。色彩的浓烈传达、光影的透视效果、油画式的构图、精美华丽的服饰,从视觉上来看她似乎不是在拍电视剧,更像是为观众展开一幅“李少红式”的古典油画。再加上诗化对白的文学观照、音乐的民族化传颂、个性化音响的氛围营造,不得不说李少红对电视剧影像画面的追求已经达到了一种极致唯美的地步。如果说影像视听特色是李少红电视剧的具象化表现,那么影像造型艺术的延伸就是对影像世界的抽象呈现。她在意境的创造和意象的选用上以女性浪漫情怀为基准,在追求情调意味的同时给观众带来了强大的视觉冲击力。在追求形式美之余内容上也不缺失,她运用运动的空间和隐喻的空间两种方式使画面中现实与梦幻交相呼应,从而谱写出女性命运的交响曲,营造出中国传统的美学意境。从《大明宫词》到2010版《红楼梦》,李少红用行动证明着作为一名创作者,其创作风格的成熟成就了她自成一家的诗性特质和油画韵味,实现了她在电视剧领域的美学追求。最重要的是,她的电视剧追求的是风格与文化的并存和融合的境界。传统文化气质中解读人文内涵,大众文化中注入精英意识,其对人生关怀、生命意义和价值追寻的同时,唤起观众对美的追求,使得观众达到审美的深层阶段。这就是研究李少红电视剧最重要的价值所在。
[Abstract]:As a female director, Li Shaohong takes the female perspective as a breakthrough point and takes the female role as the object to deduce the emotional history of the female world. These creative principles are all the conscious embodiment of her feminine consciousness. In a society dominated by male power, she has established a unique creative thinking: Poetic Creation ideal, film based shooting. The successful application of these movie elements created Li Shaohong's own image world.
The image symbol is the basic element of the image. Whether it is a poetic visual form or a sad and melodious auditory modeling, it is deeply branded with Li Shaohong's image style. The strong transmission of color, the effect of light and shadow, the composition of oil painting, the beautiful and gorgeous dress, it seems that she is not looking for the TV series visually. It is more like an "Li Shaohong" classic oil painting for the audience, with the literary view of poetic dialogue, the nationalization of music and the creation of the atmosphere of individualized sound, and it has to be said that Li Shaohong's pursuit of the image of TV plays has reached a very beautiful point of view.
If the image audio-visual characteristic is the representational manifestation of Li Shaohong's TV drama, the extension of the image modeling art is the abstract presentation of the image world. She is based on the female romantic feelings in the creation of artistic conception and the selection of images, and brings a powerful visual impact to the audience at the same time in pursuit of emotional appeal. In pursuit of the form, she is pursuing the form. The content of beauty is not missing. She uses two ways of the space of movement and the space of metaphor to make the reality and dream meet in the picture, thus the symphony of women's fate is written out, and the aesthetic artistic conception of Chinese tradition is created.
From "Daming Palace" to "the 2010 Edition" of "the dream of Red Mansions", Li Shaohong proved to be a Creator with his action. His style of creation has achieved her poetic characteristics and painting flavor, and realized her aesthetic pursuit in the field of TV drama. Most importantly, her TV play is the pursuit of the coexistence and integration of style and culture. The cultural connotation is interpreted in the traditional cultural temperament, and the elite consciousness is injected into the mass culture. At the same time, it arouses the audience's pursuit of beauty at the same time of life care, life meaning and value pursuit, which makes the audience reach the deep stage of aesthetic appreciation. This is the most important value of the study of Li Shaohong's TV play.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

【参考文献】