论王小帅电影的美学追求

发布时间：2018-05-20 10:40

本文选题：王小帅电影 + 青春　；参考：《长安大学》2017年硕士论文

【摘要】：第六代导演一般是从90年代开始执导电影的一批年轻的导演,他们具有独立的个性,更多的是关注当下城市与边缘人物,他们常常融入自己的经历,或多或少带有自己的色彩。王小帅作为其中的一员,他的影片风格更是强调真实的故事情节,他善于运用长镜头,注重画面色彩和光线。在他的影片中,再现了当代都市小人物的生活状态。他的个人成长经历和所处的特定时代背景对他的影响极大,在《青红》、《我11》等影片中均有所体现。他的影片的美学追求也是他成功的关键点,善于使用纪实手法,捕捉小人物的小情态,运用质朴、平静的画面平淡地向人们讲述一个耐人寻味的故事。王小帅以独特的影片本性表达,形成了自身独一无二的影片风格。他关注普通人在社会洪流中的残酷人生,并擅长运用画面色彩来展现主人公的悲惨命运,给观众以无限遐想。他的电影始终表现出个体成长中的精神变迁,努力实现从自我困境的挣扎、突围到找到自己独树一帜的影片风格。这些艺术表现手法使他的独立电影或者地下电影别具一格,形成自己独有的电影创作风格和美学追求。本论文除绪论部分、结语部分外主要分为五个章节,绪论部分主要阐述选题的研究现状和意义,以及研究思路和方法;第一章主要论述王小帅的电影创作之路以及梳理他的电影作品研究现状;第二章围绕青春与成长的主题意蕴来表达漂泊者的无奈、懵懂及彷徨;第三章是本文论述的重点,从内容上和艺术手法上重点阐述王小帅电影的美学追求,他的电影关注社会和时代热点,表现小人物的悲欢离合,运用独特的叙事方式、简洁的纪实手法给人以思考和启示;第四章主要讲述作者电影在困境中的挣扎与突围;第五章论述王小帅电影对中国电影发展的启示;结语部分主要回顾王小帅的电影历程以及他对电影执着追求的那份精神所带给艺术的深层理念。
[Abstract]:The sixth generation of directors are generally a group of young directors who have directed films since the 1990s. They have independent personality and pay more attention to the city and the marginal characters. They often integrate their own experiences with more or less their own color. Wang Xiaoshuai as one of them, his film style is more emphasis on the real story, he is good at using long lens, pay attention to color and light. In his films, he reproduced the living conditions of contemporary urban people. His personal development experience and the background of his specific times have great influence on him, which is reflected in the films such as "Blue Red" and "I 11". The aesthetic pursuit of his film is also the key point of his success. He is good at using documentary techniques to capture the small moods of the little people and to tell a thought-provoking story in plain, calm pictures. Wang Xiaoshuai with the unique film nature expression, formed its own unique film style. He pays close attention to the cruel life of ordinary people in the current of society, and is good at displaying the tragic fate of the protagonist by using the color of the picture, giving the audience infinite reverie. His films always show the spiritual changes in the growth of individuals and strive to realize the struggle from self-predicament to find their own unique film style. These artistic expression techniques make his independent film or underground film unique, forming his own unique film creation style and aesthetic pursuit. This paper is divided into five chapters except the introduction part and the conclusion part. The introduction part mainly elaborates the research status and significance of the topic, as well as the research ideas and methods; The first chapter mainly discusses Wang Xiaoshuai's movie creation road and combs his movie work research present situation; the second chapter around the youth and the growth theme implication to express the wandering person's helplessness, ignorant and hesitant; the third chapter is the focal point of this article. The aesthetic pursuit of Wang Xiaoshuai's films is expounded in terms of contents and artistic methods. His films focus on the hot spots of the society and the times, show the joys and sorrows of the little people, use the unique narrative method and concise documentary techniques to give people thought and inspiration. The fourth chapter mainly talks about the struggling and breaking out of the predicament of the author's films, the fifth chapter discusses the inspiration of Wang Xiaoshuai's films to the development of Chinese films. The conclusion part mainly reviews Wang Xiaoshuai's film process and the deep idea which the spirit of his persistent pursuit of film brings to art.
【学位授予单位】：长安大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J901

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