新历史主义影响下的新世纪历史文化纪录片研究

发布时间：2018-05-24 12:18

本文选题：新历史主义 + 历史文化纪录片　；参考：《南京师范大学》2013年硕士论文

【摘要】：自1980年的《丝绸之路》开始,历史文化纪录片就几乎一直在中国的纪录片发展史上扮演着重要角色。在视觉传播盛行的当下,它对我国历史文化的传播与传承具有十分重要的意义。新世纪以来,一批在叙事策略上呈现“新历史主义倾向”的历史文化纪录片逐渐取代以往古板的历史文化题材纪录片,在取得良好收视的同时也将历史与文化巧妙地融为一体。这批风格鲜明的新世纪历史文化纪录片,实际是新一代纪录片创作团队与纪录片观众“共谋”的结果。本文力图运用新历史主义的方法和理论,分析新世纪历史文化纪录片的新变和一些重要命题。首先,从新历史主义及影视史学与历史文化纪录片的内在联系入手,从整体上把握中国历史文化纪录片的发展历程和新历史主义对新世纪历史文化纪录片的影响。然后,着重考察该类纪录片文化理念的变迁与叙事策略的转型。最后,从观众的需求出发,探讨在当前的时代背景下,该类纪录片的传播意义。通过分析论述可见,自新世纪以来,历史文化纪录片的创作者是在“收视至上”和“泛娱乐化”的双重压力下进行其创作理念的“新历史转向”的。在文化理念上,创作者将主流文化、大众文化和精英文化相融合,使得该类纪录片有了多重内核；在文本层面,新世纪历史文化纪录片呈现出诗性振摆的总体特征,这种振摆在叙事策略的转型中体现为叙事手法上的真实再现与情节化,叙事内容上的大历史与诸历史相结合；新世纪历史文化纪录片的传播意义主要体现为建构文化认同和重塑观众的历史观。
[Abstract]:Since the Silk Road in 1980, historical and cultural documentaries have played an important role in the history of Chinese documentaries. At present, visual communication is of great significance to the transmission and inheritance of Chinese history and culture. Since the new century, a number of historical and cultural documentaries, which present "new historicism tendency" in narrative strategy, have gradually replaced the historical and cultural documentaries of the past, which have achieved good viewing and skillfully integrated history and culture. This batch of distinctive historical and cultural documentaries in the new century is actually the result of "collusion" between the new generation documentary creation team and the documentary audience. This paper tries to use the method and theory of new historicism to analyze the new changes and some important propositions of historical and cultural documentaries in the new century. First of all, from the new historicism, film and television historiography and historical and cultural documentary of the inherent relationship, from the overall grasp of the development of Chinese historical and cultural documentaries and the impact of new historicism on the new century of historical and cultural documentaries. Then, focus on the cultural concept of this kind of documentary changes and narrative strategy transformation. Finally, this paper discusses the significance of this kind of documentary under the background of the current era. From the analysis and discussion, it can be seen that since the new century, the creators of historical and cultural documentaries have carried out the "new historical turn" of their creative ideas under the pressure of "viewing supreme" and "pan-entertainment". In terms of cultural concept, the creators combine mainstream culture, popular culture and elite culture, which makes this kind of documentary have multiple cores, and at the text level, the historical and cultural documentaries in the new century show the overall characteristics of poetic oscillation. In the transformation of narrative strategy, this kind of vibration is embodied in the true reappearance and plot of narrative technique, and the combination of great history and history in narrative content. The dissemination significance of historical and cultural documentaries in the new century is mainly embodied in the construction of cultural identity and the reconstruction of the audience's view of history.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952;G206

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