纪录片“故事化”叙事手法渊源及演进研究

发布时间：2018-05-24 17:26

本文选题：纪录片 + 故事片　；参考：《扬州大学》2013年硕士论文

【摘要】：每个时代的纪录片创作都会受到多方因素的影响,比如人们当时的欣赏习惯、摄制技术和制作技巧、美学理念以及纪录片制作者的真实观念等。如果从《北方的纳努克》算起,纪录片已有90多年的历史,在这90多年中国外的纪录片取得了长足的发展并形成了完备的理论体系,总结国外纪录片发展史可以大致将纪录片的创作模式分为说服模式、观察模式、参与模式、自省模式。这四种创作模式都是在特定真实观的指导下产生的,同时这四种模式在采用“故事化”叙事时存在着巨大的差异。由于我国特殊的国情,自建国至上世纪90年代纪录片长期处于画面加解说词制作模式(说服模式),随着我国对外交流的加深和人们欣赏习惯的改变以及国家对纪录片发展的重视程度提高。纪录片的创作模式发生了翻天覆地的变化,其中“故事化”叙事方法越来越多地运用在纪录片的制作过程中,但由于我国纪录片长期处于待发展的状态没有形成完备的理论,所以在运用“故事化”叙事方法时存在很多的问题,比如纪录片“故事化”叙事的合理性、纪录片真实性与“故事化”叙事的冲突、纪录片“故事化”叙事应该把握何种尺度。在我国纪录片中“故事化”叙事看似是新鲜产物,其实在国外纪录片中的“故事化”叙事早已存在,其源头可以追溯到首部纪录片——《北方的纳努克》,在以后纪录片发展的历程中,“故事化”叙事手段和模式不断在发展。本文试图通过对国外纪录片发展史上不同制作模式的“故事化”叙事方法的考察,寻找出“故事化”叙事方法演变的轨迹；另外纪录片“故事化”叙事是在真实观念的指导下完成的,本文不仅研究“故事化”叙事的策略,而且还对不同流派纪录片所持有的真实观念进行探究。并以此为基础为国产纪录片的“故事化”叙事做理论和实践上的参考。
[Abstract]:Documentary creation in every era is influenced by many factors, such as people's appreciation habits, filming techniques and techniques, aesthetic concepts and the true ideas of documentary makers. If the documentary film has a history of more than 90 years since "Nanook in the North", documentaries outside China have made considerable progress and formed a complete theoretical system. Summing up the history of documentary development abroad, we can roughly divide the creation mode of documentary into persuasion, observation, participation and introspection. These four creation modes are all produced under the guidance of the specific view of reality, at the same time, there are great differences in the use of "story" narration. Because of China's special national conditions, Since the founding of the people's Republic of China and the 1990s, documentary films have been in the mode of making pictures and narratives for a long time (persuasion mode), along with the deepening of our country's foreign exchanges and the change of people's appreciation habits, as well as the degree of national attention to the development of documentaries. The mode of documentary creation has changed dramatically, in which the narrative method of "story" has been used more and more in the process of documentary production. However, because of the fact that the documentary in our country has been in the state of development for a long time, it has not formed a complete theory. Therefore, there are many problems in the use of "story" narrative method, such as the rationality of documentary "story" narration, the conflict between documentary authenticity and "story" narrative, and the standard of documentary "story" narrative. The narrative of "story" seems to be a new product in Chinese documentaries. In fact, the narrative of "story" in foreign documentaries has already existed. Its origin can be traced back to the first documentary, "Nanook in the North". In the course of the development of the documentary, the narrative means and mode of "story" are constantly developing. This paper attempts to find out the evolution of the narrative method of "story" through the investigation of the narrative methods of different production modes in the history of documentary development abroad. In addition, the narrative of "story" in documentary film is completed under the guidance of the concept of reality. This paper not only studies the narrative strategy of "story", but also probes into the concept of reality held by different schools of documentary. And on this basis for the domestic documentary "story" narrative to do theoretical and practical reference.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952

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