当下国产谍战题材电视剧的叙事研究

发布时间：2018-05-24 18:13

本文选题：谍战题材电视剧 + 发展流变　；参考：《郑州大学》2017年硕士论文

【摘要】：谍战题材电视剧,即谍战剧。谍战剧自兴起以来,一直活跃于中国电视剧市场,成为社会生活中业界人士共同讨论的消费事件和话语现象。2014年10月15日,习近平总书记在文艺工作座谈会上指出:“一些谍战剧不尊重历史,为观众造成了不良影响。”所以国家广电总局多次对谍战剧进行管控,从2014年开始加强对影视行业的审批通报率。现如今中国谍战剧创作已进入“后谍战”时期,在理性中稳步发展,积极探索全新的类型化叙事模式。《北平无战事》作为新中国成立65周年献礼的剧目,不论是在制作、剧本、审美水平还是文学价值上都受到观众的一致好评,堪称“业界良心剧”。随之《伪装者》和《王大花的革命生涯》的热播,让观众再次关注和聚焦谍战剧,重新审视谍战剧的叙事手法和制作模式。谍战剧的制作模式、传播效果在学术界引起了强烈关注。当下国产谍战题材电视剧在人物形象、叙事视角、叙事时空、叙事符号以及价值取向等方面均呈现出新的特点,与此同时也存在着不可避免的问题和困境。本文以当下国产谍战题材电视剧为研究对象,以经典叙事学为理论基础,并结合具体的文本,从多方面、多角度分析当下谍战剧的叙事特色,以期能够对同类电视剧的创新优化提供借鉴意义。本文主要分为六部分,第一章是历时分析,介绍我国谍战剧的发展历程和各个阶段的代表剧作,从而梳理出各阶段的谍战剧呈现出的特质,在此基础上从主流文化和大众文化的融合、播出模式和传播方式的转型、受众结构和受众心理的变化及类型多元和审美层次的深化四个方面分析当下谍战剧的叙事语境。第二章、第三章、第四章和第五章是文本分析,分别从人物形象、叙事视角、叙事结构以及叙事符号等四个方面进行论述,此部分是本文的重点论述部分。第六章探讨谍战剧叙事中存在的问题以及对策,当下谍战剧主要存在创作的娱乐化倾向、不尊重历史且缺乏思想深度、故事情节戏剧化且节奏感弱以及人文价值缺失和精品日趋较少等问题。谍战剧若想长远发展,应该在创作上植入“反谍战”类型元素、提升作品的历史人文情怀、强化精品意识等,这样才能获得长久的生命力。
[Abstract]:Espionage drama, espionage drama. Since its rise, espionage drama has been active in the market of Chinese TV series, and has become a consumer event and discourse phenomenon discussed by people in the field of social life. October 15, 2014, "some espionage shows do not respect history and have had a bad impact on the audience," General Secretary Xi Jinping said at a forum on literary and art work. As a result, the State Administration of Radio, Film and Television has repeatedly controlled espionage, and since 2014 has strengthened the approval and notification rate for the film and television industry. Nowadays, Chinese espionage drama creation has entered the period of "post-spy warfare", developing steadily in reason and actively exploring a new type of narrative mode. "No War in Peiping", as a repertoire for the 65th anniversary of the founding of New China, whether in production or script, Aesthetic level or literary value by the audience praise, can be called "industry conscience drama." With the popularity of camouflage and the revolutionary career of Wang Dahua, the audience once again focuses on espionage dramas and re-examines the narrative techniques and production patterns of espionage dramas. The mode of production and dissemination of espionage dramas have aroused strong concern in academic circles. At present, domestic espionage drama shows new characteristics in character image, narrative perspective, narrative time and space, narrative symbol and value orientation. At the same time, there are inevitable problems and difficulties. This article takes the current domestic espionage drama as the research object, takes the classical narratology as the theoretical foundation, unifies the concrete text, from many aspects, the multi-angle analysis present espionage war drama narrative characteristic, In order to provide reference to the innovation and optimization of similar TV series. This paper is divided into six parts, the first chapter is a diachronic analysis, introducing the development of China's espionage drama and various stages of the representative drama, so as to sort out the characteristics of each stage of espionage drama. On this basis, this paper analyzes the narrative context of the spy war drama from four aspects: the fusion of mainstream culture and popular culture, the transformation of broadcasting mode and communication mode, the changes of audience structure and audience psychology, the diversification of types and the deepening of aesthetic level. The second chapter, the third chapter, the fourth chapter and the fifth chapter are the text analysis, respectively from the personage image, the narrative angle of view, the narrative structure and the narrative symbol and so on four aspects carries on the elaboration, this part is the article key elaboration part. The sixth chapter discusses the problems and countermeasures in the narrating of espionage dramas. At present, espionage dramas mainly have the tendency to create entertainment, do not respect history and lack the depth of thought. The story plot is dramatized and the rhythm is weak, the humanistic value is missing and the fine works are becoming less and less. If the espionage drama wants to develop in the long term, it should be planted in the creation of "anti-spy warfare" type elements, enhance the historical and humanistic feelings of the works, strengthen the consciousness of fine works, and so on, so as to obtain the long-term vitality.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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