电影《肖申克的救赎》的多模态语篇分析研究

发布时间：2018-05-25 18:00

本文选题：多模态语篇分析 + 系统功能语法　；参考：《湖北工业大学》2013年硕士论文

【摘要】：多模态话语指运用听觉，视觉，触觉等多种感觉模式，通过语言，图像，声音，动作等多种手段和符号资源进行交际的现象。国外学者Kress和Van Leeuwen以Halliday的系统功能语法为基础，比照系统功能语法中的三大纯理功能，提出了第一个系统而全面的视觉语法分析框架，，全面建立了社会符号学的多模态话语分析框架。虽然关于多模态的分析研究一直在发展，但电影语篇由于包含多种符号系统及其相互作用，一直被视为一个复杂而又困难的课题。本文共分为四个章节，本文第一章节对本文的研究背景以及国内外研究情况进行了简要的介绍。本文第二章节介绍了本研究的理论基础，本文的理论支撑主要来自于Halliday的系统功能语法,由系统功能语法发展而来的Kress和VanLeeuwen的视觉语法，以及O’Halloran和Baldry以及Thibault在视觉语法基础上关于多模态语篇分析理论进一步的研究与探索。第三章节是本文的主体部分，根据第二章节的理论基础构建了一个分析框架，并用其对电影肖申克的救赎进行了多模态话语分析，以画格（Frame）为单位，采用定性研究为主的分析方法，构建电影语篇的多模态分析框架作为话语分析工具，首先选取电影《肖申克的救赎》的十个画格为语料，分别以电影三要素人物，环境，情节为着脚点，从人物的情绪表达，环境的氛围营造，以及情节发展的信息传达三个角度对电影进行视觉模态分析，再从音量，音调，节奏等角度分析与十个画格相对应的听觉模态与视觉模态的共同作用，视觉模态与听觉模态共同构建电影语篇的整体意义，为电影这样的多模态动态语篇赏析提供一个新的角度。第四章节总结了文章的成果与创新之处以及不足和局限。首先，在当前的多模态话语分析领域，电影语篇是一个具有挑战性的课题，本文试图对电影语篇进行多模态话语分析，力图在课题研究的选择上有所创新，对多模态话语分析的语料进行探索与拓展；其次，本文在Kress和Van Leeuwen的视觉语法，以及O’Halloran和Baldry以及Thibault的动态语篇分析理论的基础上构建了一个新的视觉模态分析框架，并将其运用到电影《肖申克的救赎》的视觉分析中对其进行验证，力图在研究方法上有所创新；第三，虽然当前的多模态研究越来越多将目光投向动态语篇，但多只集中于视觉模态的分析，而本文在电影语篇的视觉模态分析的基础上加入了听觉模态的分析，将两种模态相结合，力求在研究内容上也有所创新。但由于多模态话语分析文献资料十分庞大且较为艰深，作者限于能力，对于听觉模态的分析还不够深入；另一方面本文在语篇分析时选取了电影分析的最小水平单位画格作为分析单位在一定程度上仍受限于静态的视觉影像，以后的研究有待在更宏观的水平上对动态语篇进行分析。
[Abstract]:Multimodal discourse refers to the phenomenon of communication through language, image, sound, action and other means and symbol resources, using auditory, visual, tactile and other sensory patterns. Foreign scholars Kress and Van Leeuwen put forward the first systematic and comprehensive analysis framework of visual grammar based on the systematic functional grammar of Halliday. The multimodal discourse analysis framework of social semiotics is established. Although the research on multimodal analysis has been developing, film discourse has been regarded as a complex and difficult subject because it contains a variety of symbolic systems and their interactions. This paper is divided into four chapters. The first chapter briefly introduces the research background and research situation at home and abroad. The second chapter of this paper introduces the theoretical basis of this study. The theoretical support of this paper is mainly from the system functional grammar of Halliday, the visual grammar of Kress and VanLeeuwen developed from the system functional grammar. On the basis of visual grammar, O'Halloran, Baldry and Thibault further study and explore the theory of multimodal discourse analysis. The third chapter is the main part of this paper. According to the theoretical basis of the second chapter, it constructs an analytical framework, and uses it to carry out multi-modal discourse analysis of Shawshank's salvation, taking frame as the unit. Using qualitative research as the main analytical method, this paper constructs a multi-modal analysis framework of film discourse as a discourse analysis tool. Firstly, ten figures of the film "Shawshank's Redemption" are selected as the corpus, respectively, with the characters and environment of the three elements of the film. Plot for the foot, from the character's emotional expression, the atmosphere of the environment, as well as the development of the information transmission of the film from three angles of visual modal analysis, and from the volume, tone, From the angle of rhythm and so on, this paper analyzes the interaction between auditory mode and visual mode corresponding to ten pictorial frames, and constructs the whole meaning of film discourse by visual mode and auditory mode. It provides a new perspective for multi-modal dynamic discourse appreciation such as movies. The fourth chapter summarizes the achievements and innovations of the article, as well as shortcomings and limitations. First of all, in the field of multi-modal discourse analysis, film discourse is a challenging topic. Secondly, this paper constructs a new visual modal analysis framework based on the visual grammar of Kress and Van Leeuwen, and the dynamic discourse analysis theory of O'Halloran and Baldry and Thibault. And it is applied to the visual analysis of Shawshank's Redemption in order to make some innovations in the research methods. Thirdly, although the current multi-modal studies are more and more focused on dynamic discourse, However, most of them are focused on visual modal analysis, and this paper adds auditory modal analysis to the visual modal analysis of film discourse, and combines the two modes in order to make innovations in the research content. But because the literature of multimodal discourse analysis is very large and difficult, the author is limited to ability, and the analysis of auditory mode is not deep enough; On the other hand, this thesis chooses the smallest horizontal unit of film analysis as the analysis unit to some extent is still limited by the static visual image, and the later research needs to analyze the dynamic text at a more macro level.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H315;J905

【参考文献】