论二十世纪八九十年代香港恐怖片的叙事类型与文化表征

发布时间：2018-05-28 06:25

本文选题：香港恐怖片 + 叙事类型　；参考：《湖南科技大学》2017年硕士论文

【摘要】：二十世纪八九十年代,香港恐怖片的发展十分繁荣。与之前的恐怖片相比,此时的香港恐怖电影在叙事上呈现出明显的多样化特点,出现了多种不同风格的亚类型,且不同类型的恐怖片表现出不同的文化精神与文化认同特点。上世纪八十年代初,因受香港“新浪潮”改革创新之风的影响,香港恐怖片开始借鉴和运用外来文化对自身进行创新与突破,形成了有别于传统的“新浪潮”恐怖片。导演们通过在影片中设置封闭、压抑的环境,渲染血腥、暴力的画面,刻画普适性的人物形象,运用特写镜头,使得此时的“新浪潮”恐怖片在艺术风格上表现出明显的“世界性”特点。进入二十世纪八十年代中期,港人自我文化身份构建的心理诉求逐渐增强,香港恐怖片开始强化自己的本土意识,形成了一种有别于“新浪潮”恐怖片的影片类型——喜剧灵幻片。该类影片中,导演分别用隐喻表达与直接描写这两种手法,表现了故事环境的香港性特点,刻画出具有香港多元文化特色的人物形象,形成了香港本土化的艺术风格,体现出鲜明的“香港性”特色。二十世纪八十年代后期,受“九七大限”的影响,香港恐怖片导演便开始构建具有中国传统色彩的恐怖电影类型——古典鬼怪片,以拉近与中国内陆的距离,安慰香港民众日益惶恐的回归心理。在影片中,导演们融入了众多中国传统元素,讲述了极具传统气息的玄怪故事,塑造出哀怨凄婉的女鬼形象,营造了凄艳诡谲的鬼魅气氛,创作出具有古典特色的电影配乐,呈现出浓郁的“中国性”特征。
[Abstract]:In the 1980's and 1990 s, Hong Kong horror films flourished. Compared with the previous horror films, the Hong Kong horror films in the narrative show a variety of characteristics, there are a variety of different styles of sub-types, and different types of horror films show different cultural spirit and cultural identity characteristics. At the beginning of 1980s, due to the influence of Hong Kong's "new wave" reform and innovation, Hong Kong horror films began to use foreign culture to innovate and break through themselves, forming a new wave horror film which is different from the traditional "new wave" horror film. Directors use close-up shots by setting up closed, repressive environments, rendering images of blood and violence, and portraying universal characters in the film. At this time, the "New Wave" horror film shows an obvious "world" characteristics in its artistic style. In the mid-1980s, the psychological appeal of Hong Kong people's self-cultural identity was gradually strengthened, and Hong Kong horror films began to strengthen their own local consciousness. Formed a different from the "New Wave" horror film type-comedy fantasy. In this kind of film, the director respectively uses the metaphor expression and the direct description these two methods, has manifested the story environment Hong Kong characteristic, portrays the character image which has the Hong Kong multiculturalism characteristic, has formed the Hong Kong localization artistic style. It embodies the distinctive characteristics of Hong Kong. In the late 1980s, under the influence of "1997," the Hong Kong horror film director began to build a horror film type with Chinese traditional color-the classical ghost film, in order to close the distance between Hong Kong and the interior of China. Comfort Hong Kong people's growing fear of the return of psychology. In the film, the directors blend in many traditional elements of China, tell the story of the metaphysics with a very traditional flavor, create the image of a female ghost who is sad and sad, create an atmosphere of sorrowful and treacherous ghosts, and create a soundtrack with classical characteristics. It shows a strong characteristic of "Chinese".
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J909.2

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