浅谈戏剧性视域下的影视作品模式化倾向及对策

发布时间：2018-06-05 11:38

本文选题：影视作品 + 戏剧性　；参考：《东吴学术》2017年04期

【摘要】：随着经济全球化以及科技的进步,影视作品的数量激增,一部分创作者精益求精,有优秀作品的问世,而大部分作品娱乐至死、权谋宫斗刷屏、一夜升天、媚俗,终归走进模式化的泥淖不能自拔。本文从影视作品的戏剧性视角,分析了了原因,除了商业利益的驱动,从文艺规律着手,看到作品过分重视戏剧性是导致模式化的根本原因,厘清了文本、影视作品与戏剧性的关系,提出了对抗模式化的策略:重视生活真实,回归本民族的文化基因;运用戏剧性的开放性,使影视作品负起承载人文关怀、历史思索、价值判断、现代审美意识等责任;现实主义的深化;精品化、多元化、主导化,不是大片化、多级化、接近化;电视剧与网络剧差异化合作共赢;让受众参与到网络剧制作中来,充分利用网络的特性,挖掘受众的生产力等。
[Abstract]:With the economic globalization and the progress of science and technology, the number of film and television works has increased dramatically. Some creators have sought excellence and come out with excellent works, while most of the works have been entertained to death, the palace has been contrived to brush screens, the night has risen to heaven, the vulgar has become vulgar. After all, he walked into the morass of the model and couldn't extricate himself from it. This paper analyzes the reasons from the dramatic angle of view of film and television works. Besides the driving of commercial interests and the law of literature and art, we can see that the basic reason leading to the pattern is that the work pays too much attention to drama, and clarifies the text. The relation between film and television works and drama, put forward the strategy of resisting the pattern: pay attention to the reality of life, return to the cultural gene of our nation, use the dramatic openness, make the film and TV works bear the humanistic concern, historical thinking, value judgment, Modern aesthetic consciousness and other responsibilities; deepening of realism; boutique, diversification, dominance, not blockbuster, multilevel, proximity; differentiation and win-win cooperation between TV series and network drama; let the audience participate in the production of online drama. Make full use of the characteristics of the network, tap the productivity of the audience, and so on.
【作者单位】：吉林省长春市长春职业技术学院;吉林大学文学院;
【分类号】：J905

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