新时期重大革命历史题材影视剧研究

发布时间：2018-06-05 11:52

本文选题：新时期 + 影视剧　；参考：《兰州大学》2013年硕士论文

【摘要】：论文是对新时期我国重大革命历史题材影视剧的专题研究,是在马克思主义文艺观的指导下,运用“美学观点”、“人学观点”、“史学观点”对新时期的重大革命历史题材影视作品进行审美的、人文的和社会历史的解读。通过对作品的艺术风格、历史精神和美学追求的文本分析,总结出自上个世纪80年代末期至今的重大革命历史题材影视作品的媒介特征,明确了其在这一时期主流意识形态的建构、国家形象的塑造以及国家文化软实力的提升方面的文化责任。迄今,没有一种方法或视角能够完全涵盖大众媒体研究的丰富性和多样性。因为,作为艺术文本,影视作品的文学性决定了研究者不可能完全从文学和美学的领域中走出而后进入影视研究。论文尽量避免从单纯的经验出发对影视样本做鉴赏性的分析,而是有意识地借鉴文艺批评理论中的叙事理论、意识形态理论以及“文化诗学”的研究方法,尝试在理论与经验的结合中提炼出这一特殊影视题材类型的艺术价值和社会意义。论文的创新之处在于,从艺术的角度充分肯定了重大革命历史题材影视剧在建构国家主流意识形态、引领社会先进文化中的主导作用；从历史发展和社会进步的角度,将重大革命历史题材影视剧创作与其它历史题材作品进行价值比对,既承认了影视文化艺术在科技和商业利益驱动下的价值嬗变,也彰显出重大革命历史题材创作始终是以马克思主义文艺观作为基本立场和观点,将“人文”和“精神”作为思维主线的本质特征。马克思主义文艺观将美学观点与历史观点的结合作为文艺创作的最高标准。其中的“美学观点”主要是一种现实主义美学原则,要求艺术家反映历史生活时,要遵循艺术创造的特殊规律,对于重大历史事件要具有正确态度和正确美感,从而形成艺术作品较大的认识价值和审美价值。因为历史是人类物质实践的过程；所以,将“人学观点”引入“美学观点”和“历史观点”,进一步强调了历史的人和人的历史辩证统一于具有审美特性的文本之中。以人为本,实现美学精神、人文精神和历史精神的有机统一,正是新时期重大革命历史题材影视剧的审美价值追求。作为中国影视剧中的“主旋律”作品,重大革命历史题材由于其主流意识形态的本质属性,在影视艺术生产乃至整个文化生产中起着导向和示范作用。通过历史的共时性,从国家的历史维度为大众勾勒出激励公众集体为之奋斗的民族国家的政治理想。在历史叙事中表现时代精神,引领着社会主流的精神价值取向。论文对艺术文本所在的特定文化语境也做了讨论,强调了“文本生成”与文化语境的关系。从受众的角度出发,提出了在重大革命历史题材影视创作中,“红色题材”的经典改编既是对重大题材创作的挑战；同时,在大众文化繁荣发展的今天,也在不同程度地实现对高雅文本类型的传承与创新。最后,论文从时代要求和观众的审美需要出发,围绕着提升艺术创作质量和奉献艺术精品的历史任务,以追求“思想性、艺术性、欣赏性”的和谐统一为目标,从进一步提高对创作此类重大题材影视剧的社会意义和文化价值的认识,在实践中不断吸收历史学、传播学、艺术学、社会学和美学研究的优秀成果和科学方法,在提高重大革命历史题材影视理论研究水平,借鉴小说、戏剧和诗歌创作中的反线性叙事的艺术成果,巩固在经典现实主义的影视剧创作中线性叙事方式的主导地位以及促进重大革命历史题材的创作队伍在文化视野和艺术修养上的不断拓展等四个方面分析了改进和完善重大革命历史题材影视剧创作的必要性。
[Abstract]:The thesis is a special study of the major revolutionary historical films and TV dramas of China in the new period. Under the guidance of Marx's view of literature and art, the author uses "aesthetic viewpoint", "human learning viewpoint" and "historical viewpoint" to carry on the aesthetic, humanistic and social history of the major revolutionary historical subjects in the new period. The text analysis of artistic style, historical spirit and aesthetic pursuit summarizes the media characteristics of the major revolutionary and historical themes from the late 80s of the last century to the present, and clarifies the cultural responsibility of the construction of the mainstream ideology in this period, the shaping of the national image and the promotion of the soft power of the national culture.
So far, no method or perspective can fully cover the richness and diversity of mass media research, because, as an artistic text, the literary nature of the film decides that researchers can not get out of the field of literature and aesthetics and go into film and television research. The appreciation analysis, but consciously draw on the narrative theory of literary criticism, ideological theory and the research method of "Cultural Poetics", try to extract the artistic value and social significance of this special type of film and television subject in the combination of theory and experience.
The innovation of this paper is that, from the angle of art, it fully affirms the leading role of the major revolutionary history films and TV plays in the construction of the mainstream ideology of the country and leading the advanced culture of the society. From the perspective of historical development and social progress, the value of the film and TV dramas of the major revolutionary historical themes is compared with the other historical themes. It not only recognizes the evolution of the value of film and television culture and art in the interests of science and technology and commerce, but also shows that the major revolutionary historical themes have always been based on Marx's view of literature and art as the basic position and view, and the essence of "humanism" and "spirit" as the main line of thinking. The Marx theory of literature and art is the aesthetic viewpoint and calendar. The combination of historical views is the highest standard of literary and artistic creation. The "aesthetic point of view" is mainly a realistic aesthetic principle, which requires the artists to reflect the historical life, follow the special laws of artistic creation, and have a correct attitude and correct aesthetic feeling for the major historical events, thus forming a greater understanding value of the art works. Because history is the process of human physical practice, the "view of human studies" is introduced into the "aesthetic point of view" and "historical viewpoint", and the historical dialectical unity of the historical dialectical unity in the text with aesthetic characteristics is further emphasized. Unity is the pursuit of aesthetic value of the major revolutionary historical themes in the new era.
As the "main theme" in the Chinese film and television drama, the major revolutionary historical themes play a guiding and exemplary role in the production of film and television and even the whole cultural production because of the essential attributes of the mainstream ideology. The political ideal of the country shows the spirit of the times in the historical narrative and leads the spiritual value orientation of the mainstream of the society.
The paper also discusses the specific cultural context of the art text, emphasizing the relationship between "text generation" and cultural context. From the perspective of the audience, the classic adaptation of "red subject" is not only a challenge to the creation of major themes, but also the prosperity and development of mass culture in the film and television creation of the major revolutionary historical themes. Today, we also realize the inheritance and innovation of the elegant text types to varying degrees.
Finally, starting from the requirements of the times and the aesthetic needs of the audience, the thesis focuses on the historical task of improving the quality of artistic creation and the dedication of the fine arts, and aims at the pursuit of the harmony and unity of "ideological, artistic and appreciative", and to further improve the understanding of the social and cultural values of the creation of such major theme and television dramas. The outstanding achievements and scientific methods of the study of history, communication, art, sociology and aesthetics are continuously absorbed in the practice of improving the theoretical research level of the film and television theory of the major revolutionary historical themes, drawing on the artistic achievements of the anti linear narrative in the novels, drama and poetry, and consolidating the linear narrative mode in the creation of classic realism. The necessity of improving and perfecting the creation of major revolutionary historical films and TV dramas is analyzed in the four aspects of the leading position and the creative team promoting the historical themes of the major revolution in the cultural field of vision and the continuous expansion of artistic accomplishment.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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