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怀斯曼纪录片研究

发布时间:2018-06-06 08:25

  本文选题:纪录片 + 怀斯曼 ; 参考:《浙江师范大学》2013年硕士论文


【摘要】:纪录片与社会的发展变化紧密相连,它不仅记录了一个国家的历史,也承载了一个民族的文化。一方面,它忠实地记录着社会的方方面面,大到政治经济风云,小到凡人小事,作为时代档案发挥着独特的社会功能;另一方面,社会对文化的多元化需求,也推动着纪录片在观念、内容、形式上的加速变革。 本文选取了纪录片大师弗雷德里克·怀斯曼及其若干具有代表性的纪录片作品作为研究对象,对其创作风格的形成,创作内容、创作形式以及作品对现当代的影响等方面展开深入的剖析和探讨。 首先,通过分析上世纪60年代新现实主义电影运动、巴赞的纪实性电影美学理论等文化背景,以及被拍摄对象所处的社会外部环境,探讨怀斯曼纪录片创作观念的形成同纪录片美学思潮的演变和社会历史环境两方面之间的关联;其次,针对怀斯曼纪录片作品的内容,分别从社会、个人、生命等三方面作为研究切入点,从多视角探讨纪录片在揭示人与人之间、人与社会之间复杂关系的表现功能,重点研究怀斯曼纪录片的对生命的关怀与反思主题;第三,通过分析怀斯曼创作过程,探讨其旁观美学的特征,以及如何运用隐喻和印象式画面,深化和延展纪录片主题的创作手法。在上述研究的基础上,着重探讨了怀斯曼纪录片对中国纪录片美学思潮的影响以及其独特的创作风格在中国的具体实践,介绍了我国以“直接电影”旁观美学特征为风格的纪录片创作进程,以及这些纪录片对中国纪录片创作的发展和变革的引领作用。 在二十一世纪的今天,中国文化与国际文化交流频繁,借鉴国外的创作模式和创作手法,可更好的促进我国纪录片向多元化发展,引导我们的纪录片更多的关注对社会、人生、生命的思考,也是将我国纪录片融入国际社会的一个良好途径。
[Abstract]:Documentary film is closely related to the development and change of society. It not only records the history of a country, but also carries the culture of a nation. On the one hand, it faithfully records all aspects of society, ranging from political and economic events to minor human affairs, which play a unique social role as archives of the times; on the other hand, the society has a diversified demand for culture. It also promotes the accelerated change in the concept, content and form of the documentary. This paper chooses Frederick Wiseman and his representative documentary works as the object of study, the formation of its creation style, the creation of content, The forms of creation and the influence of the works on modern and contemporary are deeply analyzed and discussed. First of all, by analyzing the cultural background of Neo-realism Movie Movement in the 1960s, Bazan's documentary Film Aesthetics Theory, and the social external environment of the subject, This paper discusses the relationship between the formation of Wiseman documentary creation concept and the evolution of documentary aesthetic trend and the social and historical environment. Secondly, aiming at the content of Wiseman documentary works, the author analyzes the relationship between the society and the individual. Life and other three aspects as a research breakthrough point of view, from multiple perspectives to explore the documentary in revealing the complex relationship between people and society, focusing on the concern for life and reflect on the theme of Wiseman documentary; third, Through analyzing the process of Wiseman's creation, this paper probes into the characteristics of his onlooker aesthetics, and how to use metaphor and impressionistic pictures to deepen and extend the creative techniques of the theme of documentary. On the basis of the above research, this paper focuses on the influence of Wiseman documentary on the aesthetic trend of Chinese documentary and the concrete practice of its unique creative style in China. This paper introduces the process of documentary creation in China with the aesthetic characteristics of "direct film" as a bystander, and the leading role of these documentaries in the development and reform of documentary creation in China. Today in the 21 century, Chinese culture and international cultural exchanges are frequent. Drawing lessons from foreign creation models and creative techniques, we can better promote the development of Chinese documentaries to diversity, and guide our documentaries to pay more attention to society and life. The thinking of life is also a good way to integrate Chinese documentaries into the international community.
【学位授予单位】:浙江师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J952

【参考文献】

相关期刊论文 前3条

1 吴文光;;弗雷德里克·怀斯曼(Frederick Wiseman) 以日常生活之纪录而构造了一部美国史诗[J];当代艺术与投资;2007年11期

2 吴文光;;我认识的怀斯曼和他的纪录片[J];当代艺术与投资;2007年11期

3 王迟;;虚构的怀斯曼[J];南方电视学刊;2012年01期



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