新世纪抗战题材电视剧中的“水浒气”研究

发布时间：2018-06-07 12:05

本文选题：“水浒气” + 抗战电视剧　；参考：《三峡大学》2014年硕士论文

【摘要】：与早期的抗战电视剧相比，新世纪以来的抗战电视剧在各个方面都越来越具有“水浒”色彩。本论文对新世纪以来抗战电视剧中的“水浒气”进行研究，探讨“水浒气”在抗战电视剧中的新特点，以及抗战电视剧在当下盛行的历史文化因素和现实因素。论文第一章从各个方面来说明新世纪以来的抗战电视剧所具有“水浒”特色。首先，抗战电视剧揭露日军侵华、社会混乱的现实及其歌颂抗战英雄们英勇反抗的精神，这种主题与《水浒传》忠君爱国的思想倾向基本是一致的；其次，抗战电视剧紧张曲折、富于传奇性的抗战故事与《水浒传》着意表现英雄传奇也是相似的；再次，抗战电视剧中的英雄人物形象与梁山好汉形象在性情气质上十分类似；又次，在行为人格上，抗战英雄与梁山好汉一样，皆有不怕牺牲、路见不平拔刀相助的侠义风范；最后，抗战电视剧中生动形象的语言与《水浒传》如出一辙，既幽默风趣又符合人物身份。这五个方面从不同的角度说明新世纪以来的抗战电视剧处处透露出“水浒”风派和“水浒”气息。论文第二章主要是归纳“水浒气”在抗战电视剧中的新特点。第一，与梁山好汉以反抗贪官污吏的压迫而奋起反抗有所不同，抗战电视剧高扬反抗外敌入侵的爱国主义精神，虽然这些抗战英雄们身上充满了“匪气”，但是他们无私无畏、忠义爱国，与日本军国主义势不两立；第二，与梁山好汉歧视妇女、不近女色不同，抗战电视剧中的英雄追求美女，美女也爱英雄，显露了基本的人性欲望；第三，抗战电视剧剔除了梁山好汉血腥嗜杀的一面，注重人文主义关怀，关注人的生命和自由、平等的权利；第四，《水浒传》中的英雄们舍生忘死的行动，，大多基于江湖道义，而抗战英雄们是为了解救劳苦大众于水深火热之中这个崇高的信仰而奋斗不止。本文第三章首先论述了抗战电视剧中盛行“水浒气”的三个原因：一是中国民众有着深厚的“水浒”情结，扶危救困的侠义之气始终具有广泛的群众基础在；二是《水浒传》产生于我们民族式微的宋元时期，其中的忠义爱国思想无疑能够启发抗战电视剧对于爱国主义思想的表现；三是《水浒传》具有极强的戏剧性、传奇性，抗战影视剧从《水浒传》中吸取营养，符合广大观众的审美心理和审美习惯。接着简要论述了抗战电视剧掺入“水浒气”所存在的三个问题：英雄之路离奇化、情感纠葛浪漫化、娱乐功能过度化。最后，对于抗战电视剧如何走出现在的困境的问题，笔者提出了两条建议：一是拓展和丰富抗战电视剧的主体与内容，二是追求原生态的抗战历史。在写作过程中，本论文用现代人的眼光重新审视“水浒气”，找出其新的内涵与特点，具有很强的现实意义。
[Abstract]:Compared with the early anti-Japanese TV series, the anti-Japanese dramas in the new century have more and more "Water margin" color in every aspect. This paper makes a research on the "Water margin Qi" in the TV series of Anti-Japanese War since the new century, and probes into the new characteristics of "Water margin Qi" in the TV dramas of the Anti-Japanese War, as well as the historical and cultural factors and realistic factors prevailing in the TV dramas of the Anti-Japanese War at present. The first chapter explains the features of "Water margin" in the TV dramas of Anti-Japanese War in the new century. First, the TV dramas of the War of Resistance reveal the reality of the Japanese invasion of China and the social chaos and the spirit of the heroic resistance of the heroes of the War of Resistance. This theme is basically in line with the patriotic ideological tendency of "the Water margin" to be loyal to the monarch; secondly, The drama of the War of Resistance is tense and tortuous, and the legendary story of the War of Resistance is similar to the story of "Water margin", which is intended to show heroic legend. Thirdly, the characters of heroes in the TV series of the War of Resistance against Japan are very similar to the images of Liangshan's hero in temperament; again, the characters in the TV series of the War of Resistance against Japan are very similar in temperament. In terms of behavioural personality, the heroes of the Anti-Japanese War, like the heroes of Liang Shan, have a chivalrous demeanor who is not afraid of sacrifice, and the road is uneven and the sword helps. Finally, the vivid language of the TV series in the War of Resistance is the same as the Story of the Marsh. It is both humorous and witty and in line with the identity of the character. From different angles, these five aspects explain that the TV dramas of the Anti-Japanese War since the new century reveal the flavor of "Water margin" and "Water margin" everywhere. The second chapter summarizes the new features of Shuihu Qi in the TV dramas of the War of Resistance against Japan. First, unlike Liangshan heroes who rose up to resist the oppression of corrupt officials, the TV dramas of the Anti-Japanese War raised the spirit of patriotism against the invasion of foreign enemies. Although these heroes of the War of Resistance are full of "banditry", they are intrepid and intrepid. Loyalty and patriotism are inextricably linked to Japanese militarism. Second, they discriminate against women and do not come close to women. The heroes in the TV series of the War of Resistance against Japan pursue beautiful women, and beautiful women also love heroes, showing their basic human desire; third, The TV series of the War of Resistance against Japan has eliminated the bloody killing side of Liang Shan's hero, paid attention to humanism, paid attention to people's life and freedom, and paid attention to equal rights. Fourthly, the heroes in the Water margin, mostly based on the moral principles of the river and lake, are willing to sacrifice their lives and forget their lives. And the heroes of the War of Resistance fought to save the laboring people from this lofty belief. The third chapter first discusses the three reasons why "Shuihu Qi" prevails in the TV dramas of the Anti-Japanese War: first, the Chinese people have a deep "Water margin" complex, and the chivalrous spirit of helping the needy always has a broad mass base; Second, the Water margin came into being in the Song and Yuan dynasties, when our nation was declining, in which the patriotic ideology of loyalty and righteousness can undoubtedly inspire the expression of patriotism in the TV dramas of the War of Resistance against Japan; third, the Legend of the Water margin is highly dramatic and legendary. Anti-Japanese War movies and TV dramas draw nutrients from Water margin, which accord with the aesthetic psychology and habits of the audience. Then it briefly discusses the three problems that exist in the dramas of the War of Resistance against Japan: the road of heroism, the romance of emotional entanglement, and the excessive function of entertainment. Finally, the author puts forward two suggestions on how to get out of the current predicament of the TV series of the Anti-Japanese War: first, to expand and enrich the subject and content of the TV series of the War of Resistance against Japan, and second, to pursue the original history of the War of Resistance against Japan. In the process of writing, this paper reexamines Shuihu Qi with the eyes of modern people and finds out its new connotation and characteristics, which is of great practical significance.
【学位授予单位】：三峡大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】