中韩“穿越”题材电视剧叙事分析

发布时间：2018-06-07 15:10

本文选题：穿越电视剧 + 后现代主义　；参考：《重庆大学》2014年硕士论文

【摘要】：随着市场经济和文化市场的发展，穿越电视剧作为一种新兴的电视剧题材席卷了各国网络和荧屏，它以天马行空的想象、时空交错的故事情节，获得了众多观众的喜爱与认可。与穿越剧风靡全球，创作方式不断推陈出新相比，学术界对于其理论方面的研究略显滞后，有些研究过于片面和主观，有些研究只立足于本土，未有横向上的剖析，具有全面整体性的研究更是少之又少。本文主要以中韩几部穿越剧为例，对中韩穿越剧受欢迎的原因进行文化探析。选取韩国穿越剧作为研究我国穿越剧的理想文化研究样本，是因为韩国与我国共处“东亚文化圈”，拥有相似的传统背景，在历史上有相似的经历，深入研究韩国穿越剧，有助于我们更深层次的理解和解决国产穿越剧在创作中的诸多问题。本文具体思路如下：首先从理解“穿越”一词入手，结合穿越剧的后现代主义特征和各国穿越剧的发展情况，指出穿越剧应该属于当代神化题材电视剧类型，并总结出衡量穿越剧的判断标准；其次，分析中韩两国穿越剧流行的原因。两国穿越剧虽都在本国获得较高收视率，但韩国穿越剧在世界范围内也占有一定市场份额，具体分析韩国穿越剧创作的艺术魅力；再次，中韩穿越剧创作方式各有千秋，总结导致这种状况的文化原因；第四，从横向上以《步步惊心》和《屋塔房王世子》为例，分析两部作品因不同的文化背景而呈现出的在人物形象、情节设置等方面的差异；最后，国产穿越剧的发展遭遇瓶颈，而韩国穿越剧在电视剧市场中所占的份额却在逐年上升，总结国内穿越剧存在的问题，即趣味庸俗，，内容失实，同质化严重，并从内容、形式创新等方面提出一些思考。
[Abstract]:With the development of market economy and culture market, traversing TV series as a new kind of TV series has swept the network and screen of all countries. It has been loved and recognized by many viewers with the imagination of nature and space and the interlaced story of time and space. Compared with the popularity of traversing drama all over the world and the continuous innovation of creative methods, the academic research on its theory is slightly lagging behind, some of the studies are too one-sided and subjective, some studies are based only on the native land, and there is no horizontal analysis. Research with overall integrity is rare. This article mainly takes several Chinese and Korean traversing dramas as an example, carries on the cultural analysis to the Chinese and Korean traversing drama popular reason. The choice of Korean traversing drama as an ideal cultural research sample for studying Chinese traversing drama is because South Korea and China coexist in "East Asian Cultural Circle", have similar traditional background, have similar experiences in history, and deeply study Korean traversing drama. It helps us to understand and solve many problems in the creation of domestic traversing drama. The specific ideas of this paper are as follows: first, starting with the understanding of the word "through", combining with the postmodernism characteristics of traversing drama and the development of traversing drama in various countries, the author points out that traversing drama should belong to the TV drama type of contemporary deification subject matter. And summed up the criteria for judging the traversing drama; secondly, analyzed the reasons for the popularity of traversing drama between China and South Korea. Although both countries have gained high ratings in their own countries, Korean traversing dramas also have a certain market share in the world, specifically analyzing the artistic charm of Korean traversing dramas. Thirdly, the Chinese and Korean traversing dramas have their own unique ways of creating. The cultural reasons leading to this situation are summarized. Fourthly, the differences in characters and plot settings between the two works due to different cultural backgrounds are analyzed horizontally with the examples of "step by step surprise" and "the King's son of the Tower and House". Finally, the development of domestic traversing drama encounters a bottleneck, while the share of Korean traversing drama in the TV drama market is rising year by year. This paper summarizes the problems existing in the domestic traversing drama, that is, vulgar taste, false content, serious homogeneity, and from the content, Form innovation and other aspects put forward some thinking.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】