从当下动画艺术中探寻中国精神

发布时间：2018-06-11 16:01

本文选题：动画艺术 + 中国精神　；参考：《大连工业大学》2013年硕士论文

【摘要】：动画艺术是一种世界性的文化。从动画诞生那一刻起,世界各个国家的艺术交流就已经非常之广泛。如今的动画艺术已经不再仅仅局限于少儿群体,而是慢慢扩大受众面积,以成年人视角为基础而创作的动画也愈加增多。如同电视,电影等方式一样,动画也开始成为了一种传播文化思想以及意识形态的一种传播载体。在世界科技的日益进步、经济全面快速发展、文化风格多元化互补的当下,中国与世界的接触变得愈来愈频繁,各国的文化艺术观念在中国也得到一定程度的传播。这就使本国原有的传统主流文化和精英文化被外来的大众文化所挑战和质疑,长此以往也渐渐会在大众文化的消费性和娱乐性中消解殆尽。中国动画艺术作为世界动画的一份子,也曾闪耀着璀璨绚烂钻石般的光辉。在国内外引起非同凡响的中国第一部动画长片就是《铁扇公主》,中国动画艺术也因此开启了其对外输出熠熠夺目的第一道光芒。因此,在世界动画艺术的广袤大地上,中国动画艺术也稳稳地占据了令人无法忽视的一席之地。然而,从21世纪的90年代开始至今为止,中国动画艺术的发展停住步伐不再勇往直前,反而沉浸在无边的寂寥之中。取而代之的大多是美国和日本的动画艺术,在人们视野和生活中,到处充斥着这些外来动画艺术所带来的衍生品。这使中国动画艺术内外并发受到了可谓是毁灭性的挑战。当下的中国动画艺术,大多数追求作品的商业化效益,一味的模仿而忽略了动画本身应该所具有的艺术水准。当然,良好的市场回报可以提供更多的机会去发展动画艺术,但是没有艺术水准和特色的动画也如同没有灵魂的玩偶一般,也无法使人沉浸其中、回味无穷。因此如何在商业性和艺术性找到一个平衡点,也是动画人需要考虑、面对和解决的问题。世界先进的文化艺术风格,我们应该敢于借鉴、吸收和消化。借鉴和学习先进的外国文化艺术是在优先满足、发展我国民族文化艺术的前提下进行的,最忌讳分不清主次、盲目借鉴容易导致在世界文化艺术中迷失自我。独立民族艺术特色的树立是中国动画发展的必然选择,只有深入挖掘、拓展本民族的艺术精神和文化特色才能在当下的时代语境中,形成独特而鲜明的艺术风格和美学品质。纵观艺术风格与题材多面化的全球,即使主流艺术并不是“民族化”,但是中国动画艺术仍需要坚持贯彻本民族独有的艺术精神同文化传统。只有全力汲取民族传统文化艺术的精髓,才会使具有鲜明民族特色的传统文化艺术得到优良的传承与发展,才会在世界动画艺术的长廊中再次绽放异彩。
[Abstract]:Animation art is a worldwide culture. Since the birth of animation, the world's various countries on the art of communication has been very extensive. Nowadays, the animation art is no longer limited to the children, but gradually expands the audience area, and the animation based on the adult perspective is increasing. Like TV and movies, animation has become a carrier of spreading cultural thought and ideology. With the development of science and technology in the world, the rapid development of economy and the diversity of cultural styles, the contact between China and the world is becoming more and more frequent, and the cultural and artistic concepts of various countries have been spread in China to a certain extent. This causes the original traditional mainstream culture and elite culture to be challenged and questioned by the foreign popular culture. In the long run, the consumption and entertainment of popular culture will gradually be eliminated. Chinese animation art as a part of the world animation, but also shining brilliant diamond brilliance. The first animated feature film in China is Princess Iron Fan, and the art of animation in China has also opened the first shining light of its foreign output. Therefore, in the vast land of animation art in the world, Chinese animation art also occupies a place that can not be ignored. However, since the beginning of the 1990s, the development of Chinese animation art has stopped moving forward, but immersed in endless solitude. Instead, animation art in America and Japan is full of derivatives brought by foreign animation art in people's view and life. This makes the Chinese animation art both inside and outside the concurrency is said to be a devastating challenge. In the present Chinese animation art, most pursue the commercial benefit of the work, blindly imitate and ignore the artistic standard that animation itself should have. Of course, good market returns can provide more opportunities to develop animation art, but animation without artistic standards and features is also like a soulless doll, nor can it immerse people in it, and the aftertaste is endless. Therefore, how to find a balance between commercial and artistic is also a problem that animators need to consider, face and solve. The world's advanced cultural and artistic style, we should dare to learn from, absorb and digest. Drawing lessons from and learning advanced foreign culture and art is carried out on the premise of giving priority to satisfaction and developing Chinese national culture and art. It is the most taboo to distinguish between the primary and the secondary. Blind reference can easily lead to losing oneself in the world culture and art. The establishment of independent national artistic characteristics is an inevitable choice for the development of Chinese animation. Only by digging deeply and expanding the artistic spirit and cultural characteristics of our nation can we form a unique and distinct artistic style and aesthetic quality in the current context of the times. Throughout the world of art style and subject matter, even though mainstream art is not "nationalization", Chinese animation art still needs to persist in carrying out the unique artistic spirit and cultural tradition of this nation. Only by absorbing the essence of national traditional culture and art, can the traditional culture and art with distinct national characteristics be inherited and developed well, and then it will bloom again in the gallery of animation art in the world.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

【相似文献】