3D数字特效在原创微电影当中的应用研究

发布时间：2018-06-15 00:25

本文选题：原创微电影 + 3D数字特效　；参考：《沈阳航空航天大学》2017年硕士论文

【摘要】：3D数字特效是依托技术化的艺术表现形式。从传统到当下,数字特效从起步的初涉到巅峰的惊骇,经历了时代的变迁。在传统特效初期曾大量使用真实场景、道具、化妆、爆破到今天应用3D数字特效中使用的更多数字信息来描绘出江、河、湖、海甚至宇宙,3D数字特效在当下时代迅猛发展并被大量的用于大制作的影片当中。现今,微电影创作中3D数字特效的介入提升了艺术美感、质感及视觉冲击力,这也正是这篇论文想要阐述的核心观点,数字技术介入提升微电影的审美价值,影响着我国小成本微电影的制作周期和人员配置。现今国产小成本微电影在制作周期和制作体系当中还面临着许多问题,微电影本身投资较少,团队规模较小,人员配置不足,但是如今微电影在介入3D数字特效之后,应用巧妙的特效。把原来不可能实现的场景变为可能。即节约的成本又提高了影片本身的质量和艺术性。本文还阐述了科幻电影介入数字艺术提升美感。《金刚》这部电影大家都耳熟能详,1933年的《金刚》是最早的版本,在那版中的金刚也是最经典的,我记忆犹新的一个镜头是金刚往帝国大厦上爬,这个镜头也是电影史上一个经典镜头,这个镜头中的金刚是微缩模型制作而成,天上的盘旋的飞机和帝国大厦也都是实际模型制作而成。2005年这部经典电影被翻拍,金刚再度复活,新版《金刚》完美的还原的金银岛上的恐龙和珍禽异兽,新版金刚不再使用微缩模型了。全数字化建模,模型让金刚更加逼真。纹理贴图师给金刚重新赋予黝黑的毛发。动作骨骼绑定师使金刚的动作更像一个原始森林中的大猩猩了。帝国大厦和飞机都由数字建模制作完成。这样下来,减少的制作团队的成本。不用像1933年那个版本,再用人力去一点点搭建那些复杂的场景和繁琐的道具了。文章的中部,我分析了一部经典原创微电影《lunar》,《lunar》是一部小成本原创微电影,《lunar》中巧妙地应用了许多三维数字特效,这些三维数字特效并不是特别复杂,但是又很有效果。使得这部影片可以在较短的时间内完成,而不损失影片的艺术性与质量。影片中的数字模型都是很简单,但是很实用。如果没有这些简单数字模型、空气雾的渲染。这部微电影也不会有相应的艺术美感和科技创新感。最后通过实践对艺术与技术进行思考,并对3D数字特效介入原创电影中确实可以提升艺术美感进行了畅想。
[Abstract]:3D digital special effect is a form of artistic expression relying on technology. From tradition to present, digital special effect has experienced the change of times from the beginning to the peak. In the early days of traditional special effects, many real scenes, props, makeup, and explosions were used to depict rivers, rivers and lakes with more digital information used in 3D digital effects. Ocean and even cosmic 3D digital effects have developed rapidly in the present era and have been used in large-scale films. Nowadays, the involvement of 3D digital special effects in micro-film creation has enhanced the aesthetic sense, texture and visual impact of art. This is the core point that this paper wants to expound, digital technology intervention to enhance the aesthetic value of micro-film. It affects the production cycle and staffing of small-cost micro-film in China. At present, there are still many problems in the production cycle and production system of domestic small cost microfilms. Microfilms themselves have less investment, smaller team size and inadequate staffing. But now microfilm is involved in 3D digital special effects. Use clever special effects. Make possible scenarios that were previously impossible to implement. The cost savings also improve the quality and artistry of the film itself. This article also describes the involvement of science fiction films in digital art to enhance beauty. "King Kong" this film is familiar to everyone, 1933 "King Kong" is the first version, in which King Kong is also the most classic. One shot I remember fresh was King Kong climbing up the Empire State Building, and this shot was also a classic shot in the history of the film. In this shot, King Kong was made in a miniature model. The flying planes and the Empire State Building in the sky are also made from actual models. The 2005 classic film was remade, King Kong was resurrected, and the new edition of King Kong perfectly restored dinosaurs and exotic animals on Treasure Island. The new version of King Kong no longer uses miniature models. Full digital modeling, the model makes King Kong more realistic. The texture mapper reinstated King Kong with dark hair. The action skeleton binder makes King Kong's action more like a pristine forest gorilla. Both the Empire State Building and the aircraft are made by digital modeling. This comes down to reducing the cost of the production team. Instead of using manpower to build complex scenes and props, like the 1933 version. In the middle of the article, I analyze a classic original micro-movie < lunar >, < lunar > is a small cost original micro-movie, and lunar has skillfully applied many three-dimensional digital special effects. These three-dimensional digital effects are not particularly complex, but they are very effective. So that the film can be completed in a short time without losing the quality and artistry of the film. The digital models in the film are simple, but practical. Without these simple digital models, the air fog is rendered. This micro-film will not have the corresponding aesthetic sense of art and scientific and technological innovation. Finally, through the practice of art and technology thinking, and 3D digital special effects involved in the original film can really enhance the aesthetic sense of art.
【学位授予单位】：沈阳航空航天大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J916

【相似文献】