纪录片《舌尖上的中国1》叙事研究

发布时间：2018-06-15 05:56

本文选题：纪录片 + 《舌尖上的中国1》　；参考：《南京大学》2014年硕士论文

【摘要】：我国在二十一世纪初期的时候将叙事学引入影视领域,这种跨学科的研究给影视传播学带来了新的观点和内容,也开拓了新的视角和方法。不过这种崭露头角的交叉性学科的研究在影视领域还有很多不足之处,纪录片的叙事研究迫切的需要发展和完善就是一个很好的例子。我之所以要选取叙事学的角度来研究一部纪录片,是因为对纪录片的叙事方法展开研究可以探求到纪录片的叙述规律,这对纪录片的创作与欣赏有一定的启发意义。立足于纪录片文本的分析,无疑使纪录片的欣赏和批评趋向科学化,从而摆脱了从众式的鉴赏和印象式批评的随意性和粗暴化。我们完全可以通过对纪录片文本的叙事结构与形式进行分类、分析与归纳,从而探求形式背后隐藏的更为深刻的精神内核,即思维方式、哲学思考、人生体验等,以此来把握作品的叙事规律和叙事风格。《舌尖上的中国1》充分利用了电视影像的力量,以细致入心的文案自身精良的制作吸引了大量观众。首先,《舌尖上的中国1》的画面构图、声音、镜头运用等都优于很多国内其他的商业人文纪录片,另外,该纪录片采用故事化、情节化、民族化叙事风格,以时间为序,截取众多劳动者生活场景的片段,采用讲故事的方式向观众媚娓道来,这样的叙事手法更容易使观众产生感情共鸣。从这一方面来说,《舌尖上的中国1》的叙事结构也是值得探究的。无论是《舌尖上的中国1》骄人的收视率和它所引起的社会效应,还是它成功的市场化运作都可以为我国纪录片的创作提供一定的借鉴。《舌尖上的中国1》作为一部相对成功的纪录片,目前国内对于这部纪录片的研究大多视角较为单一,缺乏影视作品传播研究的专业性,文章的研究对更好地解读该片提供了更为丰富大的文本分析资料,同时,文章也期待对《舌尖上的中国1》的文本分析将会对该类型纪录片的研究有一定促进作用。本文从众多商业人文纪录片中选取了《舌尖上的中国1》为范本,进行个案研究,将全部7集《舌尖上的中国1》为主要的研究对象,并以叙事理论主要是它的延伸理论影视叙事学以及符号学为依托,在紧密结合文本的基础上,以文本分析法、例证法、文献研究法对《舌尖上的中国1》围绕叙事内容与视角、叙事符号、叙事结构、叙事风格和理念以及叙事策略等几个方面进行分析研究,并从微观分析入手,展现较为宏观的媒体话语系统的特色和商业人文纪录片的叙事话语体系。并以此剥离出以《舌尖上的中国1》为典型的央视出品的商业人文纪录片的叙事特点和特有路径,并对中国未来商业人文纪录片的创作与欣赏做出展望和期待。
[Abstract]:In the early 21 century, narratology was introduced into the field of film and television. This interdisciplinary study has brought new ideas and contents to the study of film and television communication, and has also opened up new perspectives and methods. However, this emerging cross-disciplinary research in the field of film and television still has many shortcomings, documentary narrative research urgent need to develop and improve is a good example. The reason why I choose the narratology angle to study a documentary is because the research on the narrative method of the documentary can explore the narrative law of the documentary, which has certain enlightening significance for the creation and appreciation of the documentary. Based on the analysis of documentary text, there is no doubt that the appreciation and criticism of documentaries tend to be scientific, and thus get rid of the random and rough style of appreciation and impressionistic criticism. Through the classification, analysis and induction of the narrative structure and form of the documentary text, we can explore the more profound spiritual core hidden behind the form, that is, the mode of thinking, philosophical thinking, life experience, etc. In order to grasp the narrative law and narrative style of the work. First of all, the picture composition, sound, and lens use of "China 1" on the tip of the tongue are better than many other domestic commercial and humanistic documentaries. In addition, the documentary adopts a story, plot, and nationalized narrative style, and takes time as the order. It is easier for the audience to resonate with the narration by intercepting the scenes of many laborer's life and using the way of telling stories to the audience. In this respect, the narrative structure of China 1 on the tip of the tongue is also worth exploring. Whether it's the ratings of China 1 on the tip of the tongue and the social effects it causes, Or its successful market-oriented operation can provide a certain reference for the creation of Chinese documentaries. As a relatively successful documentary, China 1 on the tip of the tongue, at present, most of the domestic researches on this documentary have a single angle of view. Lack of professional research on the dissemination of film and television works, the research of the article provides a richer and larger text analysis data for better interpretation of the film, at the same time, It is also expected that the text analysis of China 1 on the tip of the tongue will contribute to the study of this type of documentary. This paper selects "China on the tip of the tongue" as the model from many commercial humanities documentaries, carries on the case study, takes all 7 episodes "China 1 on the tip of the tongue" as the main research object, Based on narrative theory, mainly its extension theory, film and television narratology and semiotics, on the basis of close combination of text, text analysis method, illustrative method and literature research method, the narrative content and perspective of China 1 on the tip of the tongue are discussed. The narrative symbols, narrative structure, narrative style and ideas, and narrative strategies are analyzed and studied, and the characteristics of the macro media discourse system and the narrative discourse system of the commercial humanistic documentary are presented from the micro analysis. On this basis, the narrative characteristics and unique path of the commercial humanistic documentary produced by CCTV, which is typical of China on the tongue, are stripped out, and the prospect and expectation of the creation and appreciation of the future commercial humanistic documentary are made.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

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