电影《美国丽人》和《搏击俱乐部》中的男性气质危机

发布时间：2018-06-20 16:20

本文选题：支配性男性气质 + 危机　；参考：《广东外语外贸大学》2014年硕士论文

【摘要】：本论文通过对上世纪末的两部美国电影《美国丽人》和《搏击俱乐部》的分析来探讨世纪之交的男性气质。论文以康奈尔提出的多重男性气质为理论基础，探索在两部电影文本中支配性男性气质的衰落，以及本该被压制的从属性男性气质的日益显露。此外，通过研究康奈尔提出的性别形构实践的分析单位——符号实践和社会机构，本文探究了造成男性气质危机的社会原因。20世纪后半期迅猛发展的商业文化重新定义了男性气质，将之简化为一个可以通过消费特定产品而获得的形象。同时，20世纪60年代与70年代的女性主义与同性恋解放运动也给支配性男性气质带来了沉重的打击。面对这样的男性气质危机，电影中的男性角色都选择了回归身体来追寻一种新的自我，，从而重构挣脱了社会控制的全新的男性气质。在与削弱男性气质的各种力量的对抗中，男人们意识到危机中真正的出路是回归人性——回归生活中真善美的东西。
[Abstract]:This paper explores the masculinity at the turn of the century by analyzing the two American films, American Beauty and fight Club, at the end of the last century. Based on the theory of multiple masculinity put forward by Cornell, this paper explores the decline of dominant masculinity in the two films and the increasing exposure of subordinate masculinity which should be suppressed. In addition, by studying Cornell's analytical unit of sex-shaped practice, symbolic practice and social institutions, This paper explores the social causes of the crisis of masculinity. The rapid development of business culture in the second half of the 20th century redefines masculinity and simplifies it to an image that can be acquired by consuming specific products. At the same time, the feminist and gay liberation movement in the 1960s and 1970s also dealt a heavy blow to the dominant masculinity. In the face of the crisis of masculinity, the male characters in the film choose to return to the body to pursue a new self, thus reconstructing the new masculinity which broke away from the social control. In the confrontation with the forces that weaken masculinity, men realize that the real way out of crisis is a return to humanity-to the true, the good and the beautiful in life.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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