2000年以后中国西部电影的空间叙事

发布时间：2018-06-21 10:41

本文选题：中国西部电影 + 空间叙事　；参考：《重庆工商大学》2017年硕士论文

【摘要】：中国西部电影是中国电影上重要的电影文化研究范式,它在中国电影史上的辉煌与成就,一直为人津津乐道。进入新世纪以来的西部电影无论是叙事模式还是叙事主题、叙事风格上都发生了重大变化,尤其是叙事模式上,西部电影越来越重视空间在电影叙事中的作用,这跟社会学科空间转向的大背景有紧密关联。在空间转向的研究背景下,电影叙事也出现了空间转向,电影叙事无论是从形式上、内容上都表现出了空间转向的趋势,比如拼贴式叙事、时空套层叙事的出现,都打破了以往线性叙事的模式,空间承载了更多的文化意义。就电影空间叙事而言,空间成为电影叙事的主体,成为文本的中心,空间与时间一起建构着电影叙事,空间不再是时间的配角。空间叙事中,我们有必要理清叙事空间与空间叙事的概念,空间叙事与叙事空间是两个不同的概念,叙事空间指的是由电影创作者根据自身对故事的主观理解进行选择、再创作之后,借助各种媒介进行放映,呈现在电影荧幕上的声画空间。空间叙事包括两方面的含义:一方面,创作者根据剧情需要对故事空间进行选取通过场面调度、景别的选择、剪辑等方式将叙事空间呈现出来,形成一部电影的叙事空间;另一方面,空间本身与叙事有密不可分的关系,叙事空间自身带有叙事特性,叙事空间的创作也对故事中的人物、情节等元素产生影响。在中国西部电影的叙事中,空间的作用愈加明显,尤其是在西部电影的新探索中,空间在叙事中发挥着越来越多的功能,比如空间成为故事的线索,空间推动故事情节的发展,成为其依据,空间也成为叙事结构的一部分,空间组织的不同方式建构着电影叙事结构。西部电影的空间叙事也蕴含着深刻的文化内涵,它承载着时代记忆,记录着时代的发展,尤其是大众文化时代的发展,也深刻展现着当下人的生活体验。研究2000年以后的西部电影的空间叙事,是探寻西部电影发生的重大变化,并且从西部电影的空间叙事中探寻其文化内涵。
[Abstract]:The western film of China is an important research paradigm of Chinese film culture, and its brilliance and achievement in the history of Chinese film has always been talked about with relish by people. In the new century, no matter the narrative mode or the narrative theme, the narrative style of the western movies has changed greatly, especially in the narrative mode, the western movies pay more and more attention to the role of space in the film narrative. This is closely related to the background of the spatial turn of social sciences. Under the background of the research of spatial turn, the film narrative has also appeared the spatial turn. The film narrative shows the trend of space turning in both form and content, such as collage narrative, space-time narration. Both break the previous linear narrative model, and space carries more cultural significance. As far as film space narration is concerned, space becomes the main body of film narrative and becomes the center of text. Space and time construct film narration together, and space is no longer the supporting role of time. In spatial narration, it is necessary to clarify the concepts of narrative space and spatial narrative. Space narrative and narrative space are two different concepts. The narrative space refers to the choice of the film creator according to his subjective understanding of the story. After creation, with the help of a variety of media screening, presented in the film screen sound-painting space. Space narration includes two meanings: on the one hand, the creator selects and arranges the story space according to the need of the plot and forms the narrative space of a film by means of scene scheduling, scene alternative selection, editing and so on; On the other hand, space itself is closely related to narrative, and narrative space has its own narrative characteristics. The creation of narrative space also has an impact on the characters, plot and other elements in the story. In the narrative of Chinese western movies, the role of space is becoming more and more obvious. Especially in the new exploration of western movies, space plays a more and more important role in narration, for example, space becomes the clue of the story, and space promotes the development of the story plot. Space becomes a part of narrative structure, and different ways of spatial organization construct film narrative structure. The space narration of the western film also contains profound cultural connotation, which bears the memory of the times, records the development of the times, especially the development of the mass culture era, and also profoundly shows the life experience of the present people. To study the spatial narration of the western movies after 2000 is to explore the great changes of the western movies and to explore its cultural connotation from the space narration of the western movies.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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