电影《三笑》中的俗曲研究

发布时间：2018-06-24 21:23

本文选题：戏曲电影 + 1964版《三笑》　；参考：《河北师范大学》2017年硕士论文

【摘要】：电影是20世纪科学与艺术的产物,距今已逾百余年,题材种类丰富。而戏曲电影作为中国电影的特有类型,传入之初便与戏曲结缘。随电影手段不断成熟,电影音乐问世,丰富着其表情达意的功能。因此,作为音乐史视域中的一种独特现象,笔者针对1964版戏曲电影《三笑》的音乐创作,予以探索性剖析,对其进行理论研究,以期充实近现代文艺史料,亦为现代电影音乐创作提供一些可资借鉴的理论依据与创作启示。全文以绪论、正文与结语的常规式框架构建,其中正文分四章。第一章,影片《三笑》简介,包括文本流变、创作背景与特色的介绍,针对“泛民歌戏腔”提出“电影俗曲”之概念。第二章,通过对《三笑》音乐文本辨析,探讨作曲家临摹、创作的俗曲归属问题;鉴于故事的蓝本发生于明末苏州,有必要对其地缘维系下的事儿与曲儿、唐寅的历史形象与影视形象进行比较陈述,为音乐文本与故事文本的性格结合作铺垫。第三章,从情感音乐和气氛音乐两大维度对本影片的音乐创作给予分析,以音乐学传统分析法灵活地与各个人物进行贴切释义;同时,对该片主题结构类型及影视形态结构的音画处理方式进行总结归纳。第四章,针对《三笑》的意义与启示进行探讨,亦是本文“点睛之笔”,高度概括为传播意义与文化意义,传统元素与时代语境、民族化与创作语境的启示。结论是对以上篇章进行梳理、总结,给予《三笑》客观描述、评价和一定合理地位。
[Abstract]:Film is the product of science and art in the 20 th century. As a special type of Chinese film, opera film was associated with opera at the beginning of its introduction. With the maturing of film means, movie music comes out, enriching its expressive function. Therefore, as a unique phenomenon in the field of the history of music, the author explores the music creation of the drama film "three laughs" in version 1964, and makes a theoretical study on it in order to enrich the modern literature and art historical data. It also provides some theoretical basis and inspiration for modern film music creation. The full text is constructed by the introduction, the text and the conclusion of the conventional frame, in which the text is divided into four chapters. The first chapter introduces the film "three laughs", including the evolution of the text, the background and characteristics of the creation, and puts forward the concept of "film vulgar song" in the light of "pan-folk song drama". In the second chapter, by discriminating and analyzing the music texts of "three laughs", the author discusses the attribution of the folk songs written by the composer; since the original of the story took place in Suzhou in the late Ming Dynasty, it is necessary to have a good understanding of the things and songs under its geographical support. Tang Yin's historical image and film image are compared and stated, which pave the way for the combination of music text and story text. The third chapter analyzes the music creation of the film from the two dimensions of emotional music and atmosphere music, and uses the traditional analysis of musicology to interpret the characters flexibly; at the same time, This paper sums up the types of the theme structure and the processing methods of the film's form and structure. The fourth chapter discusses the meaning and enlightenment of "three laughs", which is also the "finishing touch" of this article, which is highly summarized as the enlightenment of communication meaning and cultural significance, traditional elements and times context, nationalization and creation context. The conclusion is to comb, summarize, give objective description, evaluation and reasonable position.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.6

【相似文献】