女性主义视域下王蕙玲影视作品的女性形象研究

发布时间：2018-06-24 23:52

本文选题：女性意识 + 王蕙玲　；参考：《西北大学》2014年硕士论文

【摘要】：随着越来越多的女性导演在中国电影界崭露头角,女性编剧也逐渐受到更多的关注,在男性导演和编剧仍然掌握着电影创作绝对话语权的今天,王蕙玲作为华语女性编剧的佼佼者,通过一部部经典的作品证明着女性编剧的实力。王蕙玲独特的女性思维和剧作创作使其编剧的作品充满浓厚的女性主义色彩,并且透露出两性和谐的性别态度所以王蕙玲本人及其编剧作品对于女性意识的研究都有着重要的意义。本论文在反思二十世纪各种女性主义思潮的基础上,立足于当下中国的历史文化语境,借鉴后现代主义女性主义的多元化思想,摒弃以往将女性的他者地位作为绝对话语前提的研究模式,通过对王蕙玲所编剧影视作品的研究,以王蕙玲编剧作品中的女性形象为研究对象,并在此基础上分析王蕙玲艺术创作特征,探究其作品中女性形象中所蕴含的女性意识,挖掘女性在男权社会中和被抑制的情况下如何突破男权的各种樊篱以完成自身主体性的构建。
[Abstract]:With more and more female directors emerging in the Chinese film industry, female screenwriters have gradually received more attention. Today, male directors and writers still hold the absolute right to speak in film creation. As one of the most outstanding Chinese-speaking female writers, Wang Huiling proved the strength of female writers through a classic work. Wang Huiling's unique female thinking and playwright make her works full of feminism. It also reveals the harmonious gender attitude of both sexes, so Wang Huiling and her writers have important significance in the study of female consciousness. On the basis of reflecting on various feminist thoughts in the 20th century, this thesis is based on the historical and cultural context of contemporary China and draws lessons from the pluralistic thoughts of postmodernism feminism. Abandoning the previous research mode that regards the other status of women as the absolute discourse premise, through the study of Wang Hui-ling 's screenplay film and television works, taking the female image in Wang Huiling's screenplay as the research object. On this basis, it analyzes Wang Hui-ling 's artistic creation characteristics, and probes into the female consciousness contained in the female images in her works. How to break through all kinds of barriers of male power in order to complete the construction of self-subjectivity.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】