国产小妞电影类型创作研究

发布时间：2018-06-28 04:55

本文选题：国产小妞电影 + 类型范式　；参考：《广西师范学院》2017年硕士论文

【摘要】：小妞电影是中国电影市场上出现的一种新兴电影类型。《非常完美》将这一好莱坞讲述都市年轻女性生活爱情的电影类型引入了中国,随后《失恋33天》《北京遇上西雅图》等票房黑马更是将小妞电影本土化,也带来了可观的电影收入。对这一电影类型的研究有助于更好地解构类型电影,并得到创作中的启示。虽然小妞电影来自于好莱坞,但本土化之后的国产小妞电影已经具有了其自身类型化的范式与观念。对其研究主要就是为了总结这些特点,并对今后国产小妞电影的类型创作起到一定指导作用,因此研究内容包括如下几个方面:引言部分主要包含该选题的背景、目前关于国产小妞电影的相关研究情况以及研究的目的意义和方法。第一章,梳理国产小妞电影的发展历程,并从当下所有的国产小妞电影中,根据题材内容分析出四大类别,通过与相似的电影类型的辨析,给国产小妞电影一个更加准确的界定。第二章,从定型化的人物、公式化的情节和图解式的视听语言三个方面入手,综合概括国产小妞电影的类型化范式。其中,受到格雷马斯符号矩阵的启示,主要总结出该类型电影中四种不同类型人物的特点;从报复爱情、疗救治愈、追寻真善美三个主要行动概括其公式化的情节;国产小妞电影基本具有以小妞主人公进行叙事,描述都市和当下叙事时空,情感细腻、色彩绚丽,并融合了许多漫画元素等视听语言特色。第三章,从表层语法进入深层语义,在类型化的范式背后挖掘出国产小妞电影隐含的类型化观念。从艺术形式上兼具现实主义和浪漫主义观念,从思想层面包含女性独立、男女平等和非“唯爱情”的观念。而在积极观念的对立面,国产小妞电影同时也表现出浪漫主义下的感伤情绪和中国女性的隐忍与焦虑情绪等。第四章,探寻国产小妞电影的突破路径。由于遵循产业化的创作模式,类型电影在发展进程中必然会出现一些瓶颈,国产小妞电影也不例外。国产小妞电影要更好发展就需要从思维、题材、技能等多方面寻找更多方法进行改善,从而使其电影类型得到长足发展。结语部分则简要总括研究结论,对国产小妞电影的类型创作和发展提出一定期望。
[Abstract]:Chick film is a new type of film emerging in the Chinese film market. "perfect" has introduced this Hollywood film about the life and love of young urban women into China. Subsequently, 33 days of lovelorn, Beijing Met Seattle, and other box office black horse is the localization of chick film, but also brought considerable film revenue. The research on this type of film is helpful to deconstruct the film and get the inspiration in creation. Although the chick film comes from Hollywood, the native domestic chick film has its own paradigm and concept. The main purpose of the research is to sum up these characteristics, and to play a guiding role in the future type creation of domestic chick movies. Therefore, the research content includes the following aspects: the introduction mainly contains the background of this topic. At present about the domestic chick movie related research situation and the research goal significance and the method. The first chapter, combing the development of domestic chick movies, and from all the current domestic chick movies, according to the content of the theme analysis of four categories, through the analysis of similar film types, Give domestic chick film a more accurate definition. In the second chapter, from three aspects of stereotyped characters, formulaic plot and graphic audiovisual language, it generalizes the typological paradigm of domestic chick movies. Among them, inspired by Graymas symbol matrix, this paper summarizes the characteristics of four different types of characters in this type of film, summarizes its formulaic plot from three main actions: revenge love, cure and cure, pursuit of truth, goodness and beauty. The domestic chick film basically has the narration with the chick protagonist, describes the city and the present narrative time and space, the emotion is exquisite, the color is gorgeous, and has fused many cartoon elements and so on audio-visual language characteristic. Chapter three, from the surface grammar to the deep semantic, excavates the domestic chick film hidden typology idea behind the typification paradigm. From the artistic form both realism and romanticism, from the ideological level including female independence, equality between men and women and non-" love only "concept. In the opposite of the positive concept, the domestic chick film also shows the sentimental emotion under the romanticism and the tolerance and anxiety of the Chinese women. Chapter four, explore the breakthrough path of domestic chick film. Due to the industrialization of creative mode, type movies in the development process will inevitably appear some bottlenecks, domestic chick film is no exception. In order to better develop the domestic chick film, we need to find more ways to improve it from the aspects of thinking, subject matter, skill and so on, so as to make its film type develop rapidly. The conclusion briefly summarizes the conclusion of the study, and puts forward some expectations for the creation and development of domestic chick films.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J904

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