金庸小说影视剧改编的武打设计研究

发布时间：2018-06-28 05:03

本文选题：影视改编 + 金庸　；参考：《东华理工大学》2013年硕士论文

【摘要】：影视改编是近年来文学与艺术领域一个令人瞩目的文化热点，它主要是指由小说文本改编成影视剧。金庸小说在这一文化现象中表现尤其突出，随着一部部由金庸小说改编而成的影视剧热播，影视改编这一文化现象也越来越受到广泛关注。由此，学术界产生了一批又一批的研究成果，对影视改编研究之风随着电视剧的热播越演越烈。本文从影视改编的角度着手，以金庸六部小说为研究点，探讨金庸小说影视改编的武打设计。本文试图通过金庸武侠小说中动作场景描写转换成影视画面这一视角，解析小说与影视两种艺术形式之间的融汇与转换。论文由绪论、四个独立的章节和结语六个部分组成。绪论部分主要对小说影视改编这一现象的研究成果进行综述，列出前人研究的重点和尚未涉及的部分，小说具体如何改编成影视这一点研究成果不多，这正是本文的研究重点。第一章，，对金庸小说影视剧改编的基本情况和基本载体进行分析，首先罗列出金庸小说改编情况，然后对小说和影视两种不同的艺术载体进行比较分析。不仅如此，本章还罗列出港台版与内地版金庸剧改编方式的侧重不同之处加以分析，探究其原因。第二章，进行金庸小说武打技巧影视改编的艺术分析。首先，对金庸小说影视改编的不同版本作品中武打设计进行比较，找寻每一种动作的合理转换方式。其次，选取金庸小说中具有代表性的几种功夫，具象描述两种形式的转变方法。第三章，研究影视语言下的武打动作展现。分别从武打的镜头拍摄与蒙太奇、声画、音效对武打的烘托、武打的光影与色彩、现代科技在影视武打中的运用四个方面对影视技巧在改编中所起作用进行分析。第四章，分析金庸小说影视武打设计的美学功能。从喜剧、情感和兵器三点出发，找寻与武打设计之间的联系，分析含有这三种元素的小说文本如何转换成影视画面。结语部分是总结性探讨金庸小说中的武打动作描述如何转换成影像。
[Abstract]:The adaptation of film and television is a remarkable cultural hotspot in the field of literature and art in recent years. It mainly refers to the adaptation of the novel text to the film and TV play. Jin Yong's novels are especially prominent in this cultural phenomenon. With the popularity of a film and television drama adapted from Jin Yong's novels, the cultural phenomenon of film and television adaptation has been paid more and more attention. As a result, academic circles have produced a lot of research results, the adaptation of film and television with the popularity of the more and more intense. From the angle of film and television adaptation, this paper discusses the martial arts design of Jin Yong's six novels. This paper attempts to analyze the fusion and transformation between the novel and the film and television art form through the angle of view that the description of action scene in Jin Yong's martial arts novels is transformed into film and television pictures. The thesis consists of six parts: introduction, four independent chapters and conclusion. The introduction part mainly summarizes the research results of the phenomenon of film and television adaptation of novels, lists the key points of previous studies and the parts that have not yet been involved, and how the novel is adapted to film and television is not much, which is the focus of this paper. The first chapter analyzes the basic situation and the basic carrier of the adaptation of Jin Yong's novels and TV dramas. Firstly, it lists the adaptation of Jin Yong's novels, and then compares and analyzes the two different artistic carriers of the novel and the film and television. Not only that, this chapter also lists the Hong Kong and Taiwan version and the mainland version of Jinyong drama adaptation of different ways to analyze the reasons. The second chapter, carries on the Jin Yong novel martial arts skill movie and television adaptation artistic analysis. First of all, the author compares the martial arts design in different versions of Jin Yong's novel film and television adaptation to find a reasonable way to change each action. Secondly, several representative kung fu in Jin Yong's novels are selected to describe the transformation of the two forms. The third chapter, studies the movie language under the martial arts action display. This paper analyzes the role of film and television skills in adaptation from four aspects: shot of martial arts and montage, sound painting, contrast of sound effect to martial arts, light, shadow and color of martial arts, application of modern science and technology in film and television martial arts. Chapter four analyzes the aesthetic function of martial arts design in Jin Yong's novels. From the three points of comedy, emotion and weapon, this paper looks for the connection with martial arts design, and analyzes how the novel text with these three elements can be transformed into film and television picture. The conclusion part is a summary discussion on how to transform the description of martial arts action in Jin Yong's novels into images.
【学位授予单位】：东华理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J91;I207.42

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