行定勋电影空间研究

发布时间：2018-07-03 19:01

本文选题：电影空间 + 画外空间　；参考：《中国美术学院》2014年硕士论文

【摘要】：电影的空间意识是电影思维的一个基本内容,是电影研究的一个核心概念。本文试图以行定勋导演的电影作品为主要研究对象,借鉴已有的电影史和电影理论中的研究成果,结合电影美学、社会学等学科的研究方法,分析行定勋导演电影语言中空间的具体表现,并论述其电影空间观念在日本新电影中的意义与价值。从电影语言来分析,行定勋善于通过声音、场面调度、光来营造画外空间,尤其充分地发挥了声音的空间作用。他的作品体现了流动的、开放的、完整的360度空间。行定勋电影中的空间既是实体的,又是隐喻的。空间不仅是故事发生的场所,而且不同的空间呈现不同人物的内心状态,空间自身成为影片重要的表意因素。在行定勋的作品中,通过对现代空间和现代人的呈现,使电影的本质与现代人的存在困境有了紧密的关联。他关于360度空间等现代电影观念的实践和探索,冲破了传统的电影观念,是日本电影发展逼近电影本体的一种进步,为日本新电影找到了一种自主的美学和社会视野。
[Abstract]:The space consciousness of film is a basic content of film thinking and a core concept of film research. This paper attempts to take the film works of Xing Dingxun as the main research object, draw lessons from the existing research achievements in film history and film theory, and combine the research methods of film aesthetics, sociology and other disciplines. This paper analyzes the concrete expression of space in the film language of Dingxun director, and discusses the significance and value of his concept of film space in the new Japanese film. From the film language analysis, Xing Dingxun is good at creating the outer space through sound, scene scheduling, and light, especially playing the role of sound space. His work embodies a fluid, open, complete 360-degree space. The space in Dingxun film is both physical and metaphorical. Space is not only the place where the story takes place, but also the inner state of different characters. Space itself becomes an important ideographic factor in the film. In the works of Xing Dingxun, the essence of film is closely related to the predicament of modern existence through the presentation of modern space and modern man. His practice and exploration on the concept of 360-degree space broke through the traditional concept of film, which is a kind of progress in the development of Japanese film approaching to the film itself, and has found a kind of independent aesthetics and social vision for the new Japanese film.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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