新时期以来中国主旋律电影女性形象研究（1987—2012）

发布时间：2018-07-08 16:21

本文选题：主旋律电影 + 女性形象　；参考：《西南大学》2013年硕士论文

【摘要】：本文是一篇以新时期以来主旋律电影女性形象为研究课题的论文。纵观整个中国电影历史的发展,中国电影中的女性形象长期处于不被重视、不被表现的尴尬境地,其主体性也长期隐没于男权文化的压制之下,无论是商业类型电影、文艺片亦或者主旋律电影,中国电影中的女性形象都没能被真正的塑造在银幕之上。随着新时期的到来,伴随改革开放与文艺理论的双重激励,中国的电影事业重整旗鼓,涌现出大量优秀的影片。其中主旋律电影的创作也在电影的历史舞台中占据了重要的位置,作为电影形象中重要组成部分——女性形象,在新时期开始也逐渐冲破历史樊篱,成为电影所关注、所书写的对象。本文从新时期以来主旋律电影女性形象的多元化渐变入手,运用女性主义批评以及类型学等相关理论,对25年间具有代表性的主旋律电影女性形象进行了系统的梳理,通过文本分析女性形象的类别和刻画手法,深层剖析女性意识在新时期以来主旋律电影中的重构,并进一步探究造成这种银幕女性变迁的社会和文化多重语境。本文从三个层面对新时期以来中国主旋律电影女性形象进行分析阐释。将中国电影中的女性形象与主旋律电影中的女性对比研究,深入的探寻中国主旋律电影中女性形象的构成与转型轨迹；中国主旋律电影的发展之路是特殊的,它与政治、社会、历史都有深层次的交织,而主旋律电影中的女性形象塑造不仅仅有电影创作内部自觉,电影之外的多重影响共同造就了主旋律电影中的女性形象。新时期以来,在政治、社会与文化的多重语境下,主旋律电影中的女性以不同的形象重新站立在电影之中,本文中从政治、社会、文化三重语境探析主旋律电影中女性形象变化的动因,利用女性意识形态分析等相关理论对中国主旋律中女性形象进行系统的研究,从多角度全面剖析女性这一性别属性在主旋律电影中与社会、政治、战争、家庭等之间关系,试图以主旋律电影中女性形象的重建为中国电影对女性的塑造建立可互通的桥梁。
[Abstract]:This paper is a research topic of the theme film female image since the new period. Throughout the development of Chinese film history, the female image in Chinese film has long been neglected and not embarrassed by performance, and its subjectivity has long been hidden under the suppression of patriarchal culture, regardless of the commercial type of film. Literary and artistic films or theme films, Chinese films in the female image can not be really shaped on the screen. With the arrival of the new era, with the dual encouragement of reform and opening up and literary theory, China's film industry has regrouped and a large number of excellent films have emerged. Among them, the creation of the main theme film also occupies an important position in the historical stage of the film. As an important part of the film image, the female image has gradually broken through the historical barrier in the new period and become the focus of the film. The object written. This paper starts with the diversification of the female image of the main theme film in the new period, applies feminist criticism and typology and other relevant theories, and systematically combs the female image of the representative theme film in 25 years. Through the text analysis of the types and techniques of female images, this paper deeply analyzes the reconstruction of female consciousness in the main melody movies since the new period, and further explores the social and cultural context that causes this kind of female changes on screen. This paper analyzes and interprets the female images of Chinese main theme films in three aspects since the new period. This paper makes a comparative study of the female images in Chinese films and the women in the main melody movies, and probes into the composition and transition track of the female images in the Chinese main melody movies. The development of the Chinese theme movies is special, and it is different from politics and society. History is deeply intertwined, and the female image shaping in the main melody film has not only the internal consciousness of the film creation, but also the multiple influences outside the film together to create the female image in the main melody movie. Since the new era, in the context of politics, society and culture, the women in the main theme film stand in the film with different images. In this paper, from the political, social, This paper probes into the causes of the change of female image in the theme film, and makes a systematic study of the female image in the main melody of China by using the related theories such as the analysis of female ideology, etc. This paper comprehensively analyzes the relationship between the gender attribute of female and society, politics, war, family and so on in the main melody film from various angles, and attempts to build an interworking bridge for the shaping of women in the Chinese film with the reconstruction of the female image in the main melody film.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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