论多元文化语境下非遗类专题片的价值追求

发布时间：2018-07-08 17:17

本文选题：多元文化 + 非遗　；参考：《河北大学》2017年硕士论文

【摘要】：在多元文化语境下的现代社会,非遗类专题片以其承担的文化责任、社会功能面临着众多的机遇与挑战。非物质文化遗产作为古老的文化传承,与快节奏、信息化的现代社会存在一定的矛盾,传统技艺作为小众文化艺术形式,又与电视媒介这样大众传播的载体存在矛盾,传统文化的节奏与现代元素的节奏同样存在着矛盾,融合的过程一定会有摩擦,例如在通过电视向大众传播非物质文化遗产时,观众接受的较为困难,或者难以赢得共鸣。多数非遗类专题片因其单纯的展现制作技艺而显得乏味无趣,表现形式单一,除部分热爱传统文化的观众愿意观看之外,再无传播受众,非物质文化遗产的重视度依然不够,普通人也难以做到文化自觉,所以无法对此有太多的关注,这也就失去了电视专题片的制作初衷。而这样的先例比比皆是,很多枯燥讲解式的专题片都以失败告终,在大众把电视作为娱乐方式时,这样显然难以调动观众的观看趣味,何谈产生更多的附加价值。其次,非遗类专题片的创作过程中受到制约,非遗本身倾向于“文化记忆”,随着时代的变迁和社会的发展,造成它逐渐消失在大众视野中,也造成资料、技艺的消失,这就使得拍摄过程必然会有很大的难度,也因非遗类专题片范围小,对共性规律的学术性研究较少,难以对创作进行有效的指导,其面临的问题也亟待找到解决的出口。
[Abstract]:In modern society in the context of multiculturalism, non-posthumous feature films are faced with many opportunities and challenges because of their cultural responsibilities. As an ancient cultural heritage, there is a certain contradiction between the intangible cultural heritage and the fast-paced and information-based modern society, the traditional art as a form of minority culture and art, and the carrier of mass communication such as television media. There are contradictions between the rhythm of traditional culture and the rhythm of modern elements, and there must be friction in the process of integration. For example, when the intangible cultural heritage is transmitted to the public through television, it is difficult for the audience to accept it, or it is difficult to win resonance. Most non-posthumous feature films are boring and uninteresting because of their simple display of production skills. Except for some viewers who love traditional culture, they are willing to watch and have no audience to spread. The intangible cultural heritage is still not paid enough attention to. Ordinary people are also hard to achieve cultural awareness, so can not pay much attention to this, this also lost the original intention of the production of television feature films. Such precedents abound, and many boring monographs end in failure. When the public uses television as a form of entertainment, it is obviously difficult to arouse the audience's viewing interest and generate more added value. Secondly, the creation process of non-posthumous feature films is restricted, and non-posthumous films tend to be "cultural memory". With the changes of the times and the development of society, it gradually disappears into the public view, and it also causes the disappearance of materials and skills. This will make the shooting process will be very difficult, but also because of the small scope of non-legacy feature films, the academic research on the common law is less, it is difficult to guide the creation effectively, and the problems it faces need to be solved urgently.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

【参考文献】