消费时代下的《神探夏洛克》

发布时间：2018-07-08 19:16

  本文选题：《神探夏洛克》 + 道格拉斯·麦金农　； 参考：《电影文学》2017年18期

【摘要】：《神探夏洛克:可恶的新娘》脱胎于BBC的迷你剧《神探夏洛克》,电影不仅成功地获得了原迷你剧观众的肯定,又俘获了大量之前并未接触过迷你剧的观众,堪称一部消费时代下的成功之作。在当前,社会模式的重心已经从生产转为消费,这也导致了人们在进行电影消费时的诉求点发生了改变。如何把握这种诉求,《神探夏洛克》为我们提供了一个值得借鉴的范本。文章从剧情互动性、思想转向、视觉文化三方面,从消费时代入手分析这部电影。
[Abstract]:"Sherlock: abominable Bride" born out of the BBC mini-series Sherlock, the film not only succeeded in winning recognition from the original mini-series, but also captured a large number of viewers who had not been in contact with the mini-series before. It can be regarded as a successful work in the era of consumption. At present, the focus of the social model has shifted from production to consumption, which has led to a change in the demands of people in the process of film consumption. How to grasp this appeal, Sherlock provides us with a model worthy of reference. The article analyzes the film from three aspects of interactive plot, ideological turn and visual culture.
【作者单位】： 重庆三峡学院;
【分类号】：J905
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本文编号：2108485