动画作品中反派角色的塑造研究

发布时间：2018-07-10 12:39

本文选题：反派角色 + 性格塑造　；参考：《河北师范大学》2017年硕士论文

【摘要】：随着动画创作的多元化发展,反派角色的塑造研究已不再单纯的局限于造型、语言、动作等外在设定。近年来,人们在动画创作中开始注重挖掘反派角色性格的复杂性和丰富性。反派角色不仅能在形象设定上使人陷入深思,而且随着剧情的发展,透过反派角色更能窥见种种社会现象反映人性的复杂。反派角色不再单纯的以外表的美丑来判定是非善恶,更需通过分析角色的性格特点进行说明。广义而言,这个世上没有绝对的“好人”和“坏人”,善与恶的转变主要取决于反派角色内在的本质。因此,在动画创作中越来越多的作品将反派角色设定的重心,从外表刻画逐渐转移至内心塑造,使反派角色的人物特征更加鲜明。本文以大量的优秀作品作为分析案例,对动画作品中反派角色的塑造进行研究,加以客观的理论分析,简明地阐述了反派角色的界定,继而进一步分析反派角色极端自私的逆反性、善恶难辨的矛盾性、恶有恶报的悲剧性、笨拙搞怪的幽默性以及黑白反转的颠覆性等特征分类。通过结合实例作品,探究各类动画反派角色的个性化设定,不难发现动画创作往往会依托刻画反派角色的性格特点来设置跌宕曲折的故事剧情。通过故事编写来刻画人物性格,透过人物细节表情来突出表现反派角色的邪恶形象,借助人物的语言动作来映射反派角色贪婪的内心是动画作品中常用的方式方法。这些元素的设定对反派角色内在性格塑造起到至关重要的作用。本文通过分析大量作品案例,深入地解析出反派角色的服饰、装饰、道具及辅助角色的准确设定,能有力地凸显出反派角色的个性化特征,进而深刻地揭露出反派角色的本质。通过对优秀作品的横向分析对比,探究出非常规的光影明暗效果为反派角色增添邪恶色彩,而画面中丰富多变的色彩语言强化了反派角色的视觉感染力,且反派角色展现出的个性化技能的特效效果增强了反派角色的动态冲击力,风格化的场景设计从侧面揭示了反派角色的性格特征,多元化的配乐形式描绘出反派角色的心理变化。大量的视听元素为反派角色的塑造增添了强烈的艺术效果,烘托出角色复杂的情感并展现出反派角色个性化特征。本文结合了国内的动画作品,探索反派角色塑造中的不足之处,进一步探究国产动画中反派角色设计的破局之法。结合现代审美淡化“以貌取人”的模式化设定,打破我国动画中反派角色“非黑即白”的单一化设定现状,通过借鉴中国传统文化塑造具有民族化、时代感的反派角色。在表现对文化精神的传承中,加强反派角色的内心塑造,深入刻画反派角色内心的情感变化,提高动画反派角色的丰富性、复杂性,使动画中渗透出对坏人的仇恨,对卑劣人物的丑态嘲笑,对人们生活中缺点的善意评价,以及对善良、信任、机智、勇敢等品质的赞美,形成一种更具教育价值的道德力量,深化主题思想,提升动画作品的艺术感染力。
[Abstract]:With the diversified development of animation creation, the research on the shaping of the villains is no longer confined to the modeling, language and action. In recent years, people begin to pay attention to the complexity and richness of the character of the villain in the animation creation. The villain can not only make people think deeply on the image setting, but also follow the plot. The development, through the villain, can see all kinds of social phenomena to reflect the complexity of human nature. The villain role is no longer judged by the appearance of beauty and ugliness. It is more necessary to explain the character characteristics of the role. In the broad sense, there is no absolute "good" and "bad man" in the world, and the change of good and evil depends mainly on the change in the world. In the animation creation, more and more works put the center of gravity of the role of the villain, from the appearance to the inner molding, to make the character of the villain more distinct. This article takes a large number of excellent works as an analysis case, and studies the creation of the villain in the animated works. On the basis of objective theoretical analysis, this paper briefly expounds the definition of the villain role, and then further analyzes the extreme selfishness of the villains, the inconsistency of good and evil, the tragedy of the evil, the humoriness and the subversive character of the reversal of black and white. It is not difficult to find that animation creation often relies on the character characteristics of the character of the villain to set up the story plot. Through the writing of the story, the character character is depicted, the evil image of the villain is highlighted through the expression of the characters, and the heart of the villain of the villain is mapped to the heart of the villain by the language action of the characters. The setting of these elements plays a vital role in the inner character molding of the villains. By analyzing a large number of work cases, this paper analyzes the costumes, decorations, props and auxiliary roles of the villains, which can effectively highlight the personalization characteristics of the villains. The essence of the villainous role is uncovered deeply. Through the comparative analysis of the outstanding works, it is found that the unconventional effect of light and shadow adds evil to the villain of the villain, and the rich and changeable color language in the picture strengthens the visual appeal of the villain role, and the special effect of the individualized skill is increased by the villain role. The dynamic impact of the villain is stronger, and the stylized scene design reveals the character of the villain from the side, and the diversity of the musical forms depicts the psychological change of the villain. A large number of audiovisual elements add a strong artistic effect to the shaping of the villain of the villain, the complex emotion of the role and the villain. This paper combines the domestic animation works to explore the inadequacies in the shaping of the villain of the villain, and further explores the broken way of the design of the villain role in the domestic animation. Through the use of Chinese traditional culture to shape the villain of the nationalization and the sense of the times. In the inheritance of the cultural spirit, we should strengthen the inner molding of the villain role, deeply depict the emotional changes in the innermost role of the villain, improve the richness and complexity of the animated role of the anime, and make the animated anime permeate the hatred of the bad people and to the poor characters. The ugly mockery, the goodwill evaluation of the shortcomings of people's life, as well as the praise of goodness, trust, wit, bravery and other qualities, form a more educational value moral force, deepen the theme and enhance the artistic appeal of the animation works.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

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