女性意识、性权力与两性和解——李玉导演及其作品的中国式“性别

发布时间：2018-07-10 20:04

本文选题：李玉 + 女性意识　；参考：《北京社会科学》2017年11期

【摘要】：作为新锐导演中的女性导演,李玉在女性作品创作中流露出不同凡响的女性意识,极力展现男权主义却从不批判;于情色欲望的窥视机制中,层层剥离性权力的外延内涵,并给予人文关怀。一次次超越,一次次转型,由女性到男性,由对峙到和解,风险社会与两性、生命的交织或悖离带来的终是两性和解之结局,这是导演的愿望,亦是中国式"性别场"的特色。从性别出发,女性电影和女性导演带给中国电影市场的绝不仅仅是奇异、细腻的镜像故事,银幕之外,在男权文化的社会规约中我们更应看到电影创作的使命与真谛。
[Abstract]:As a new female director, Li Yu reveals an extraordinary female consciousness in the creation of women's works, exerts great efforts to show patriarchal but never criticizes, and in the peep mechanism of erotic desire, layer by layer deletes the intension of the extension of sexual power. And to give humanistic care. Transcending time after time, transforming from female to male, from confrontation to reconciliation, risk society and gender, life intertwined or contradicted will eventually bring about the outcome of gender reconciliation, this is the director's desire, but also the Chinese style of "gender field" characteristics. On the basis of gender, what women films and women directors bring to the Chinese film market is not only the strange, delicate mirror story, but also the mission and true meaning of film creation in the social statute of patriarchal culture outside the screen.
【作者单位】：四川大学文学与新闻学院;
【分类号】：J911

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