客观凝视或主观参与——探讨独立纪录片导演与作品的关系

发布时间：2018-07-11 17:00

本文选题：摄像机镜头 + 拍摄者　；参考：《当代电视》2017年05期

【摘要】：正作为一种视听艺术和传播媒介,纪录片镜头撷取的是非虚构的现实。而一旦拍摄者将镜头对准被拍摄者,纪录片中的各个主体和客体之间的关系就显而易见了。作为最大的两个互动单元,纪录片导演和作品之间包含了多重关系,如何处理各自主体相互间的关系,涉及到纪录片的本原性问题—真实性。因此,本文将从导演与摄像机、导演与被拍摄者两个方面和叙事与伦理两个角度对导演与作品的关系这一问题进行探讨。在探讨过程中以国内
[Abstract]:As an audio-visual art and media, documentary footage captures the reality of non-fiction. As soon as the photographer points the camera to the subject, the relationship between the subject and the object in the documentary is obvious. As the two largest interactive units, documentary director and works contain multiple relationships. How to deal with the relationship between their subjects, which involves the authenticity of the original nature of documentary. Therefore, this paper will discuss the relationship between director and work from two aspects: director and camera, director and subject, narrative and ethics. In the course of discussion, Israel and China
【作者单位】：台山广播电视台;北京大学新闻与传播学院;
【分类号】：J952

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