冯小刚电影风格的转变

发布时间：2018-07-12 08:22

本文选题：冯小刚 + 贺岁片　；参考：《河南大学》2014年硕士论文

【摘要】：在当代电影导演中,能长期屹立于导演界不倒,并且能顺应观众刁钻的口味转变而转型的屈指可数,而冯小刚在这屈指可数的人中位居前列。带着初出茅庐的勇气,带着对社会现象的批判心理,冯小刚用他那特有的“京味”语调,给我我们呈现出一个个含泪笑的狂欢式作品。以独有的冯氏幽默征服了挑剔的观众,这种平民视角下的黑色幽默奠定了他在中国贺岁电影中的地位。随着《甲方乙方》、《不见不散》、《手机》、《大碗》等几部电影的相继成功,冯小刚的黑色幽默喜剧风格逐渐被大众接受,他的影响力也不断扩大。在他成为著名导演后,他并没有沉溺在贺岁电影取得的成功喜悦中,开始反思自己电影的发展。当一个成功导演身处巅峰,不满现状不断反思的时候,他的视野正在不断的开放。随着名气的越来越大,冯氏电影已然成为了中国电影市场不可或缺的一部分。冯氏幽默的品牌已然确立,可这时的冯小刚已不满足自己的电影在国内取得的奖项,更吸引他的是国际影坛的认可。在顺境中的冯小刚,做出大胆的转型。以风格的转变来顺应时代的发展,谋求口味愈加刁钻的观众们的垂青,以及提高世界影坛的知名度。然而,探索的道路并非一帆风顺。《夜宴》的失败,冯小刚受到惨痛的打击,口碑极差,骂声连连。但冯小刚没有停止他探索的脚步,《集结号》的出现,让冯小刚燃起新的希望!之后的大作《唐山大地震》更是轰动影坛,突破6亿的票房也使冯小刚终于在自己的转型中找到了适合自己的道路。在冯小刚电影创作的过程中,我们可以清楚的看到,冯小刚一直坚持对艺术的不断追求,他几乎年年都会有新的作品产生,冯小刚用不断变化的题材和风格证明这自己的努力和实力。在冯小刚追求艺术理想的过程中,有过陷入视野低谷的困境,也曾经历过创作巅峰的辉煌,他之所以能在导演界屹立不倒,是他的不断创新,大胆转型,顺应时代抓牢观众的欣赏心理。冯小刚电影风格的大胆转型,是传统国产电影与新时代电影的完美融合的结晶。这种转变,不仅颠覆了传统的中国电影,更有效与新时代世界电影的接轨。冯小刚在追求艺术与商业高度融合的阶段,从电影的主题选择,叙事风格,语言特色等方面都发生了哪些变化?在不断进步的过程中又保留了哪些他的个人特点?并对今后他的电影以及整个电影市场有什么样的影响,这是本文我们将讨论的问题。
[Abstract]:Among contemporary film directors, who have long lived in the world of directors and have been able to adapt to the tricky taste of the audience, Feng Xiaogang is at the top of the list. With his courage and criticism of social phenomena, Feng Xiaogang presents us with tearful carnival works with his unique "Jingwei" tone. With his unique Feng's humor, he has conquered the critical audience. This kind of black humor from the perspective of the common people has established his position in Chinese New year movies. With the success of several films, such as Party A, Party B, Mobile phone, Bowl, etc., Feng Xiaogang's black humor comedy style was gradually accepted by the public, and his influence expanded. After he became a famous director, he did not indulge in the success of New year's film and began to reflect on the development of his film. When a successful director is at the top, dissatisfied with the current situation of continuous reflection, his vision is constantly open. With the growing popularity, Feng film has become an indispensable part of the Chinese film market. Feng's brand of humor has been established, but at this time Feng Xiaogang is no longer satisfied with his film in the domestic awards, more attractive to him is the international film recognition. In the smooth state of Feng Xiaogang, make bold transformation. Change in style to adapt to the development of the times, to seek more sophisticated taste of the audience, and to enhance the world's film industry. However, the path of exploration was not smooth. The failure of the Night Banquet, Feng Xiaogang suffered a terrible blow, word-of-mouth, scolding repeatedly. But Feng Xiaogang did not stop his steps to explore, the emergence of the assembly number, let Feng Xiaogang ignite new hope! After the masterpiece "Tangshan earthquake" is a sensation in the film world, more than 600 million box office also make Feng Xiaogang in their transition finally found a suitable way to their own. In the process of Feng Xiaogang film creation, we can clearly see that Feng Xiaogang has always insisted on the continuous pursuit of art, he will produce new works almost every year. Feng Xiaogang proved its strength and effort with its changing themes and styles. In the process of pursuing the artistic ideal, Feng Xiaogang had the predicament of falling into the valley of vision and the brilliance of the peak of creation. The reason why he was able to stand erect in the world of directors was his constant innovation and bold transformation. Conform to the times and grasp the appreciation of the audience. The bold transformation of the Feng Xiaogang film style is the crystallization of the perfect fusion of the traditional domestic film and the new era film. This change, not only subverts the traditional Chinese film, more effective with the new era of the world film. What changes have taken place in Feng Xiaogang's pursuit of a high degree of convergence between art and commerce in terms of the choice of themes, narrative style, language characteristics, and so on? What are his personal characteristics in the process of continuous progress? And the future of his film and the film market as a whole, this is the issue we will discuss.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】