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湖北人文纪录片的故事化叙事研究

发布时间:2018-07-13 09:00
【摘要】:纪录片是一种以展现真实为本质的电影或电视的艺术形式,它承载着大众对文化与历史的认同感。湖北纪录片的创作在全国范围内起步较早,并且取得了不错的成绩。特别是人文类纪录片,诸如《舟舟的世界》、《楚国八百年》、《幼儿园》、《汉江》、《船工》、《远山的瑶歌》、《再生之音》、《请为我投票》等一批极具人文关怀的作品值得我们关注与研究。近来,纪录片的故事化叙事已逐渐成为一种常见的叙事艺术手法。与此同时,湖北人文纪录片的创作也坚持对当下文化及人文社会的密切关注,同样也注重“讲故事”。在发展过程中,湖北人文纪录片在创作题材和手法上都有很大的突破,尤其是在故事化叙事方面,已成为一个极具研究价值的领域。本文共五个部分。绪论部分首先对“湖北人文纪录片”的概念进行了界定;其次,对“故事化”叙事的研究现状进行了概述;最后,交代了研究内容与研究方法。第一章论述了湖北人文纪录片的“故事化”叙事类型,主要分为散文化方式叙事与情节化方式叙事两种类型来谈,并且分析这两种叙事方式的结构特色,散文化叙事方式通常采用多层次的叙事结构,而情节化叙事通常采用的是多线索的叙事结构。第二章主要讨论湖北人文纪录片的“故事化”叙事特点,分别从选题、叙事视角、情节、细节、节奏、悬念这六个要素来分析,并选取了大量纪录片作为实例来论证。最后一章论述湖北人文纪录片的“故事化”叙事策略,主要是从故事建构、影像技巧、后期设计三个方面来具体探讨,对于策略的讨论大多是对拍摄过程和后期技术的分析。最后的结语部分是对湖北人文纪录片故事化叙事研究的总结与思考。本文结合大量实例对湖北人文纪录片的故事化叙事进行分析,期望据此揭示出湖北人文纪录片故事化叙事的某些叙事特点、叙事策略,为湖北当代人文纪录片的故事化创作开拓一些新的视野和角度。同时,也希望借此研究,引起对湖北人文纪录片故事化叙事研究的更多关注。
[Abstract]:Documentary is a kind of artistic form of film or television which shows the essence of reality. It bears the people's identity to culture and history. Hubei documentary creation in the country started early, and achieved good results. Especially the humanistic documentaries, such as the World of Zhouzhou, 800 years of Chu, Kindergarten, Hanjiang, Shipyard, Yao Song of distant Mountains, Sound of Regeneration, Please vote for me, and so on, are worthy of our attention and study. Recently, the story narration of documentary has gradually become a common narrative art technique. At the same time, the creation of Hubei Humanities documentary also insists on paying close attention to the present culture and humane society, and also pays attention to storytelling. In the process of development, Hubei Humanistic documentary has made a great breakthrough in the creation of subjects and techniques, especially in the narrative of stories, has become a very valuable field of research. There are five parts in this paper. The introduction first defines the concept of "Hubei Humanistic documentary"; secondly, summarizes the research status quo of the narrative of "story"; finally, explains the research content and research methods. The first chapter discusses the narrative types of "story" in Hubei humanistic documentary, which are mainly divided into two types: narrative of prose culture and narrative of plot, and the structural characteristics of these two narrative modes are analyzed. Narrative style of prose culture usually adopts multi-level narrative structure, while plot narrative usually adopts multi-clue narrative structure. The second chapter mainly discusses the narrative characteristics of the "story" of Hubei humanistic documentary, respectively from the subject selection, narrative perspective, plot, details, rhythm, suspense to analyze these six elements, and selected a large number of documentaries as an example to demonstrate. The last chapter discusses the narrative strategy of "story" in Hubei humanistic documentary, mainly from three aspects: story construction, image technique and later design. The discussion of strategy is mostly the analysis of shooting process and later stage technology. The last part of the conclusion is the summary and thinking of the story narrative research of Hubei humanistic documentary. Based on a large number of examples, this paper analyzes the story narration of Hubei humanistic documentary, hoping to reveal some narrative characteristics and narrative strategies of the story narration in Hubei humanistic documentary. To open up some new horizons and angles for the story creation of contemporary humanities documentary in Hubei. At the same time, I also hope to draw more attention to the story narrative of Hubei Humanities documentary.
【学位授予单位】:华中师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J952

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