内生经验与外部资源——电影美学范畴辨析
发布时间：2018-07-20 13:56
【摘要】：当下电影美学话语处于多元化的泛美学状态。作为学术概念的"电影美学"有待明确界定,应与相关相近的"电影学"、"电影理论"、"电影艺术"、"电影文化"等概念有所区别。作为学科门类的"电影美学"具有美学理论与审美特征两种向度,应以学理化的理论形态为主体。"电影美学"的理论资源除美学,文艺理论或其他现代思想观念,更重要的是自电影诞生百余年发展中逐渐形成的那些电影美学思想以及对电影审美特征的归纳。
[Abstract]:At present, the film aesthetic discourse is in a pluralistic pan-American state. As an academic concept, "Film Aesthetics" needs to be clearly defined, which should be distinguished from the related concepts of "Cinemology", "Film Theory", "Film Art", "Film Culture" and so on. "Film Aesthetics", as a subject category, has aesthetic theory and aesthetic characteristics, and should take the theoretical form of physics and chemistry as the main body. " The theoretical resources of Film Aesthetics are not only aesthetics, literary theory or other modern ideas, but also, more importantly, the aesthetic thoughts of films and the induction of aesthetic characteristics of films which have been gradually formed since the birth of more than 100 years.
【作者单位】： 三江学院;
【分类号】：J901
本文编号：2133765
[Abstract]:At present, the film aesthetic discourse is in a pluralistic pan-American state. As an academic concept, "Film Aesthetics" needs to be clearly defined, which should be distinguished from the related concepts of "Cinemology", "Film Theory", "Film Art", "Film Culture" and so on. "Film Aesthetics", as a subject category, has aesthetic theory and aesthetic characteristics, and should take the theoretical form of physics and chemistry as the main body. " The theoretical resources of Film Aesthetics are not only aesthetics, literary theory or other modern ideas, but also, more importantly, the aesthetic thoughts of films and the induction of aesthetic characteristics of films which have been gradually formed since the birth of more than 100 years.
【作者单位】： 三江学院;
【分类号】：J901
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，本文编号：2133765
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