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心理距离视域中的电影悬念

发布时间:2018-07-20 20:23
【摘要】:文章阐述了电影悬念的定义,运用我国著名美学家朱光潜先生的理论解释了心理距离形成的原因,揭示了心理距离和电影悬念之间的某种内在联系。采用分析法和案例法论证了心理距离和电影悬念的关系:心理距离过远难以形成电影美感和悬念,心理距离太近则会损害电影悬念的审美效果,只有适当的心理距离才能形成美感产生悬念。文章分析了电影悬念形成的原理、心理距离和电影悬念的关系,对电影创作有一定的指导意义。
[Abstract]:The article expounds the definition of the film suspense, explains the cause of the formation of psychological distance by using the theory of Mr. Zhu Guangqian, a famous American aesthetic scientist, reveals some internal relations between psychological distance and movie suspense. The relationship between psychological distance and movie suspense is demonstrated by the method of analysis and case: it is difficult to form a movie by the distance of psychological distance. Aesthetic feeling and suspense and too close psychological distance will damage the aesthetic effect of the movie suspense. Only a proper psychological distance can form a aesthetic suspense. The article analyses the principle of the formation of the movie suspense, the relationship between the psychological distance and the movie suspense, which has certain guiding significance for the film creation.
【作者单位】: 聊城大学东昌学院;黄冈师范学院;
【分类号】:J90-05

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相关期刊论文 前3条

1 王永敬;空间距离和心理距离[J];文艺研究;1986年01期

2 冯健民;欣赏·必要的距离——戏剧审美通俗谈之二[J];陕西戏剧;1983年08期

3 刘帼君;影星审美的心理距离[J];当代电影;1991年03期



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