中国大陆穿越剧探析
发布时间：2018-07-24 13:12
【摘要】：本文以“穿越剧"为研究对象,2010年始,穿越题材成为荧屏上最盛行的影视题材之一,穿越剧受到热烈追捧。穿越剧作为后现代文化语境下衍生出来的流行文化的一种,迎合了当下大众文化的娱乐化追求,切合了观众注重瞬间感官愉悦和梦幻满足的接受心理。其在叙事策略和艺术表现手法上的创新更是穿越热潮形成的原因所在,值得以后的电视剧创作借鉴。 本文以叙事学、后现代主义、女性主义、接受美学等理论为基础,对近年来中国大陆兴起的穿越剧进行了较为全面和系统的研究。文章分为四部分。首先,在第一章对穿越剧的概念和范围作出了界定,从其生成语境上分析了穿越剧为何能够盛行的原因,另外还对其进行了大致的分类。其次,分别在第二章、第三章探讨了穿越剧的主题和人物形象。穿越剧主要表现了反封建和倡民主这两大主题,塑造了具备穿越身份的现代男女主人公和古代历史人物这两种截然不同的人物形象。在第四章中,本文重点分析了穿越剧的叙事特征,阐述了穿越剧特殊的叙事视角和叙事时空,总结出穿越剧模块式的叙事结构和荒诞派的叙事策略。本文还把穿越剧中古今元素杂糅、对比的不同效果进行了说明,概括了穿越剧与网络游戏之间的密切联系。
[Abstract]:Since 2010, the theme of traversing has become one of the most popular film themes on the screen, and traversing drama has been warmly sought after. As a kind of popular culture derived from the post-modern cultural context, traversing drama caters to the entertainment pursuit of the present popular culture and meets the reception psychology of the audience which pays attention to instant sensory pleasure and dreamlike satisfaction. The innovation of its narrative strategy and artistic expression is the reason of its formation through the upsurge, which is worthy of future TV drama creation. Based on the theories of narratology, postmodernism, feminism and receptive aesthetics, this paper makes a comprehensive and systematic study of the traversing drama that has arisen in mainland China in recent years. The article is divided into four parts. First of all, in the first chapter, the concept and scope of traversing drama are defined, and the reasons why traversing drama can prevail are analyzed from its generating context. In addition, it is roughly classified. Secondly, in the second chapter, the third chapter discusses the theme and characters of traversing drama. Traversing drama mainly shows the two themes of anti-feudalism and advocating democracy, and shapes two distinct characters, namely, the modern hero and the hero with the identity of crossing and the historical figures in ancient times. In the fourth chapter, this paper focuses on the narrative characteristics of the traversing drama, expounds the special narrative perspective and narrative time and space of the traversing drama, summarizes the narrative structure of the module-style traversing drama and the narrative strategy of the absurd. This article also mixes the elements of the traversing drama, compares the different effects, and generalizes the close relation between the traversing drama and the online game.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2141490
[Abstract]:Since 2010, the theme of traversing has become one of the most popular film themes on the screen, and traversing drama has been warmly sought after. As a kind of popular culture derived from the post-modern cultural context, traversing drama caters to the entertainment pursuit of the present popular culture and meets the reception psychology of the audience which pays attention to instant sensory pleasure and dreamlike satisfaction. The innovation of its narrative strategy and artistic expression is the reason of its formation through the upsurge, which is worthy of future TV drama creation. Based on the theories of narratology, postmodernism, feminism and receptive aesthetics, this paper makes a comprehensive and systematic study of the traversing drama that has arisen in mainland China in recent years. The article is divided into four parts. First of all, in the first chapter, the concept and scope of traversing drama are defined, and the reasons why traversing drama can prevail are analyzed from its generating context. In addition, it is roughly classified. Secondly, in the second chapter, the third chapter discusses the theme and characters of traversing drama. Traversing drama mainly shows the two themes of anti-feudalism and advocating democracy, and shapes two distinct characters, namely, the modern hero and the hero with the identity of crossing and the historical figures in ancient times. In the fourth chapter, this paper focuses on the narrative characteristics of the traversing drama, expounds the special narrative perspective and narrative time and space of the traversing drama, summarizes the narrative structure of the module-style traversing drama and the narrative strategy of the absurd. This article also mixes the elements of the traversing drama, compares the different effects, and generalizes the close relation between the traversing drama and the online game.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
【参考文献】
相关期刊论文 前4条
1 王春云;;论文学的时空穿越意识及其经典品格[J];北方论丛;2007年05期
2 张小平;吴永芝;;睡在记忆里的中国娱乐片——《越光宝盒》的启示[J];东南传播;2010年07期
3 肖們;蔡骐;;媒介融合:变迁的旋律[J];求索;2010年10期
4 万萍;;从受众传播心理的角度解读“穿越剧”热播现象——以《步步惊心》为例[J];新闻知识;2012年09期
，本文编号：2141490
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2141490.html
