论新时期两岸三地青春电影
发布时间：2018-07-26 07:09
【摘要】：青春电影作为一个相对独立的电影类型,自诞生之初便在世界影坛绽放着光彩。新时期以来,我国大陆、香港、台湾地区涌现出许多描写青春故事的佳作,这些作品既丰富了青春电影的主题,也展示了创作者们多样化的风格与艺术追求,值得业界予以关注。本文致力于从青春电影在我国的发展概况、青春电影的主题、青春电影的叙述视角和其运用的电影语言等四个方面,对新时期以来中国大陆、香港、台湾地区的青春电影进行分析。两岸三地的青春电影数量庞大,比较分析其异同的文献也不在少数,通过对文献的研读和对青春电影理论的研究概况梳理后,本文正文部分首先简单论述青春电影的内涵、类型及我国大陆、香港、台湾三地青春电影的发展；其次对青春电影的主题与母题进行论述,在死亡、暴力、精神分裂、梦想、性爱等多种深刻而又复杂的母题研究基础上挖掘出其深刻内涵；第三,从电影的叙述视角和主人公形象塑造两个方面,对青春电影中展现的青少年行为作出解释；青春电影观赏性强的主要原因还在于创作者们灵活运用电影的视听语言,创造出一个个生动的影像世界,因此第四章将从镜头、色彩、音乐等方面总结出青春电影在视听语言方面的特点；最后对青春电影在我国的发展进行展望。 对三十多年来两岸三地青春电影进行研究,一方面是为了对青春电影的发展概况作出归纳总结,另一方面旨在探究青春电影艺术造诣的基础上对青春期青少年的行为思想进行合理阐释,以期为了解当下社会中出现的青少年偏差行为有所帮助,在相互作用下共同推动我国青春电影的发展。
[Abstract]:Youth film, as a relatively independent film type, has been blooming in the world since its birth. Since the new era, many excellent works have emerged in China's mainland, Hong Kong and Taiwan to describe the stories of youth. These works not only enrich the themes of youth films, but also show the diverse styles and artistic pursuits of the creators. It deserves the attention of the industry. This paper is devoted to the following four aspects: the development of youth film in China, the theme of youth film, the narrative perspective of youth film and the film language used in the film. The youth film of Taiwan area carries on the analysis. The number of youth films in the three places on both sides of the Taiwan Strait is huge, and there are not a few documents comparing and analyzing their similarities and differences. After reading the literature and combing the general situation of the research on the theory of youth films, the main text of this paper first briefly discusses the connotation of youth films. Types and the development of youth films in mainland China, Hong Kong and Taiwan. Secondly, the theme and motif of youth films are discussed, in death, violence, schizophrenia, dreams, On the basis of the deep and complicated motif research, the author excavates its profound connotation. Thirdly, it explains the youth behavior in the youth film from the angle of narration and the image of the protagonist. The main reason for the strong appreciation of youth films also lies in the flexible use of the audio-visual language of films by creators to create vivid image worlds. Therefore, chapter IV will focus on the lens and color. Music summarizes the characteristics of youth film in audiovisual language, and finally prospects the development of youth film in China. For more than 30 years, the study of youth films in the three places across the Taiwan Strait is aimed, on the one hand, at summing up the general situation of the development of youth films. On the other hand, on the basis of exploring the artistic attainments of the youth film, the author makes a reasonable explanation of the behavior thought of the adolescent in order to help understand the deviant behavior of the youth in the present society. Under the mutual action, promotes the development of our country youth movie together.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2145242
[Abstract]:Youth film, as a relatively independent film type, has been blooming in the world since its birth. Since the new era, many excellent works have emerged in China's mainland, Hong Kong and Taiwan to describe the stories of youth. These works not only enrich the themes of youth films, but also show the diverse styles and artistic pursuits of the creators. It deserves the attention of the industry. This paper is devoted to the following four aspects: the development of youth film in China, the theme of youth film, the narrative perspective of youth film and the film language used in the film. The youth film of Taiwan area carries on the analysis. The number of youth films in the three places on both sides of the Taiwan Strait is huge, and there are not a few documents comparing and analyzing their similarities and differences. After reading the literature and combing the general situation of the research on the theory of youth films, the main text of this paper first briefly discusses the connotation of youth films. Types and the development of youth films in mainland China, Hong Kong and Taiwan. Secondly, the theme and motif of youth films are discussed, in death, violence, schizophrenia, dreams, On the basis of the deep and complicated motif research, the author excavates its profound connotation. Thirdly, it explains the youth behavior in the youth film from the angle of narration and the image of the protagonist. The main reason for the strong appreciation of youth films also lies in the flexible use of the audio-visual language of films by creators to create vivid image worlds. Therefore, chapter IV will focus on the lens and color. Music summarizes the characteristics of youth film in audiovisual language, and finally prospects the development of youth film in China. For more than 30 years, the study of youth films in the three places across the Taiwan Strait is aimed, on the one hand, at summing up the general situation of the development of youth films. On the other hand, on the basis of exploring the artistic attainments of the youth film, the author makes a reasonable explanation of the behavior thought of the adolescent in order to help understand the deviant behavior of the youth in the present society. Under the mutual action, promotes the development of our country youth movie together.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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