动画创作中幻想世界观的表现特点研究
发布时间：2018-07-26 12:00
【摘要】：同是视听艺术范畴的动画作为影视的重要一部分，具有影视的一般特征，同时其又有独立的意义和价值体系，其独有特性在于它的虚拟性。动画艺术的虚拟性表现为虚拟性的影视效果,虚拟性的创作手段和虚拟性的美学解读。这种虚拟性的如影随形在今天看来对于动画的前期创作有着十分重要的意义。动画幻想世界观的创建则成为动画前期创作一种表现手法体现在众多优秀作品之中，虽然动画中的世界观依托于前期创作团队对幻想世界详细而体系化的设计，但是却成功的运用了“画面上的写实感”、“细节上的细腻真实感”、“作者对现实世界的认知依附于作品本身的真实”等特点，将幻想的世界表现的如同发生了一样，不动声色的就让受众仿佛置身于一个全然真实的幻想世界之中，成功的营造出了幻想世界“亦真亦幻”的真实感和现场感，平衡了虚拟与现实之间的关系。这种世界观设定是创作者想象力和世界观、价值观的集中体现,同时与故事情节的走向、视听元素的呈现息息相关，成为原创动画的主要驱动力。 由此看来一个民族的创造力对于动画的前期创作来说非常重要，科学的动画世界观创作方法和表现形式在一定程度上能够滋养民族想象力，拓展创作思维空间，给创作者和观众提供了一个独特的艺术家园。本文主要从动画世界观的发展和概念入手，深入分析幻想世界观的内在审美特征，得出其审美实质和意义。同时分析对比东西方动画作品（东方主要以日本动画，西方主要以美国经典迪士尼动画），并提出幻想世界观设定的应用和体现在动画作品中不同的特点和作用，以此观照中国现阶段动画的在世界观创建上的缺点与不足，通过对近几年相对优秀的动画作品的研究分析发扬优点查找缺漏，，为中国动画的前期创作出谋划策，这是非常具有现实意义的。
[Abstract]:As an important part of film and television, animation, which is the same category of audio-visual art, has the general characteristics of film and television, at the same time, it has independent meaning and value system, and its unique characteristic lies in its fictitious nature. The fictitious nature of animation art is shown by the fictitious film and television effect, the fictitious creative means and the fictitious aesthetic interpretation. This kind of fictitious shadow is of great significance to the creation of animation. The creation of animation fantasy world view has become a kind of expression technique in the early animation creation, although the world outlook in the animation is based on the detailed and systematic design of the fantasy world by the earlier creative team. However, it successfully uses the characteristics of "realistic feeling on the screen", "exquisite realism in detail", "the author's cognition of the real world is attached to the truth of the work itself" and so on, which makes the fantasy world appear as if it had happened. The silent one makes the audience seem to be in a completely real fantasy world, and successfully creates the reality and the scene feeling of the fantasy world, balancing the relationship between the virtual and the real. This kind of worldview setting is the concentrated embodiment of the creator's imagination, world outlook and values, and is closely related to the trend of the storyline and the presentation of audio-visual elements, and becomes the main driving force of the original animation. In view of this, the creativity of a nation is very important for the early creation of animation. To a certain extent, scientific animation world outlook creation methods and forms can nourish the national imagination and expand the creative thinking space. It provides a unique artistic home for creators and viewers. Starting with the development and concept of animation world outlook, this paper deeply analyzes the intrinsic aesthetic characteristics of fantasy world view, and obtains its aesthetic essence and significance. At the same time, it analyzes and compares the eastern and western animation works (mainly Japanese animation in the east and American Disney animation in the west), and puts forward the application of the vision of the fantasy world and its different features and functions in the animation works. In this way, we can take stock of the shortcomings and shortcomings in the creation of the world view of animation in China at the present stage. Through the research and analysis of the relatively excellent animation works in recent years, we will carry forward the advantages to find out the gaps and give some suggestions for the early stage creation of Chinese animation. This is very practical.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954
本文编号：2145939
[Abstract]:As an important part of film and television, animation, which is the same category of audio-visual art, has the general characteristics of film and television, at the same time, it has independent meaning and value system, and its unique characteristic lies in its fictitious nature. The fictitious nature of animation art is shown by the fictitious film and television effect, the fictitious creative means and the fictitious aesthetic interpretation. This kind of fictitious shadow is of great significance to the creation of animation. The creation of animation fantasy world view has become a kind of expression technique in the early animation creation, although the world outlook in the animation is based on the detailed and systematic design of the fantasy world by the earlier creative team. However, it successfully uses the characteristics of "realistic feeling on the screen", "exquisite realism in detail", "the author's cognition of the real world is attached to the truth of the work itself" and so on, which makes the fantasy world appear as if it had happened. The silent one makes the audience seem to be in a completely real fantasy world, and successfully creates the reality and the scene feeling of the fantasy world, balancing the relationship between the virtual and the real. This kind of worldview setting is the concentrated embodiment of the creator's imagination, world outlook and values, and is closely related to the trend of the storyline and the presentation of audio-visual elements, and becomes the main driving force of the original animation. In view of this, the creativity of a nation is very important for the early creation of animation. To a certain extent, scientific animation world outlook creation methods and forms can nourish the national imagination and expand the creative thinking space. It provides a unique artistic home for creators and viewers. Starting with the development and concept of animation world outlook, this paper deeply analyzes the intrinsic aesthetic characteristics of fantasy world view, and obtains its aesthetic essence and significance. At the same time, it analyzes and compares the eastern and western animation works (mainly Japanese animation in the east and American Disney animation in the west), and puts forward the application of the vision of the fantasy world and its different features and functions in the animation works. In this way, we can take stock of the shortcomings and shortcomings in the creation of the world view of animation in China at the present stage. Through the research and analysis of the relatively excellent animation works in recent years, we will carry forward the advantages to find out the gaps and give some suggestions for the early stage creation of Chinese animation. This is very practical.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954
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