李玉文艺电影研究
发布时间：2018-07-26 17:49
【摘要】：李玉是20世纪90年代后活跃在中国影坛的新生代女性导演。作为女性导演，，她以自己鲜明的个人风格和对文艺片的坚守蜚声国内外。在当代以票房论英雄的影坛，她的电影改变了传统文艺电影叫好不叫座的窘境，创造了一个又一个票房神话，也得到了国际电影节的肯定；这使得人们开始关注文艺电影的前景。本文通过对导演本人及其作品的深入分析和细致严谨的研究，探析李玉文艺电影的影像特征、主题风格和文艺电影商业化成功的原因。在当今商业影片独战天下的影坛，文艺电影如何重新走进影院和人心，这是所有电影人亟待解决的问题。因此，对李玉文艺电影的研究在当下具有十分重要的意义。 本文开头通过李玉文艺电影的概述表达了笔者对李玉文艺电影的看法，再加以目前学界对李玉文艺电影的研究现状分析，从而产生了本文的写作构想：侧重通过李玉的电影作品来挖掘其独特的影像特征与深刻的主题风格，李玉文艺电影的影像特征主要表现在另类镜头营造的个人风格、电影声音里的美学意境、匠心独用的色彩与象征等方面；主题风格方面主要从电影所选取的几个比较突出的议题出发，有女性——困境与重生、边缘——禁忌与命运、希望——爱与救赎这三个方面入手来阐释的。最后结语部分主要论述了李玉文艺电影商业化之路的成功之处与现实启发意义。 李玉文艺电影的个人风格明显，具有鲜明的新生代女导演的时代特征。李玉的文艺电影与其他女性导演的作品最大的不同在于她所传达的作品意义的积极性。在她的电影里我们看到了爱与救赎所带来的希望，对于信仰和生命的尊重与敬畏。对于女性那种相信命运又不甘于受困于命运精神的赞许，这种文艺电影不管是对当代还是后代都是有营养和价值的。
[Abstract]:Li Yu is a new generation of female directors who have been active in Chinese film field since the 1990 s. As a female director, she is famous both at home and abroad for her distinctive personal style and adherence to literary and artistic films. In the contemporary film world of box office hero, her film has changed the dilemma of traditional literature and art film, created one box-office myth after another, and has also been affirmed by the International Film Festival. This makes people begin to pay attention to the prospect of literature and art movies. Through the thorough analysis and careful research on the director himself and his works, this paper probes into the image characteristics, theme style and the reasons for the successful commercialization of Li Yu's literary and artistic films. In the world of commercial films, how to re-enter the cinema and people again, this is an urgent problem for all filmmakers. Therefore, the study of Li Yu's literary and artistic films is of great significance at present. At the beginning of this paper, I express the author's views on Li Yu's literary and artistic films through an overview of Li Yu's literary and artistic films, and then analyze the current research situation of Li Yu's literary and artistic films in academic circles. Thus, the writer has the following ideas: focus on exploring his unique image features and profound thematic style through Li Yu's film works, and the image characteristics of Li Yu's literary and artistic films are mainly reflected in the personal style created by alternative lenses. The aesthetic artistic conception in the sound of the film, the color and symbol used by the craftsman's mind alone, and so on; the theme style mainly starts from several relatively prominent topics selected by the film, such as women-dilemma and rebirth, limb-taboo and fate, etc. Hope-love and redemption these three aspects to explain. Finally, the conclusion mainly discusses the success and practical significance of the commercialization of Li Yu's literary and artistic films. The personal style of Li Yu's literary and artistic films is obvious and has the characteristics of the new generation of female directors. The biggest difference between Li Yu's literary and artistic films and other female directors lies in her enthusiasm for the meaning of her works. In her film we see the hope of love and redemption, the respect and awe of faith and life. For women who believe in fate and do not want to be trapped in the spirit of fate, this kind of literature and art film is nutritious and valuable to present and future generations.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2146803
[Abstract]:Li Yu is a new generation of female directors who have been active in Chinese film field since the 1990 s. As a female director, she is famous both at home and abroad for her distinctive personal style and adherence to literary and artistic films. In the contemporary film world of box office hero, her film has changed the dilemma of traditional literature and art film, created one box-office myth after another, and has also been affirmed by the International Film Festival. This makes people begin to pay attention to the prospect of literature and art movies. Through the thorough analysis and careful research on the director himself and his works, this paper probes into the image characteristics, theme style and the reasons for the successful commercialization of Li Yu's literary and artistic films. In the world of commercial films, how to re-enter the cinema and people again, this is an urgent problem for all filmmakers. Therefore, the study of Li Yu's literary and artistic films is of great significance at present. At the beginning of this paper, I express the author's views on Li Yu's literary and artistic films through an overview of Li Yu's literary and artistic films, and then analyze the current research situation of Li Yu's literary and artistic films in academic circles. Thus, the writer has the following ideas: focus on exploring his unique image features and profound thematic style through Li Yu's film works, and the image characteristics of Li Yu's literary and artistic films are mainly reflected in the personal style created by alternative lenses. The aesthetic artistic conception in the sound of the film, the color and symbol used by the craftsman's mind alone, and so on; the theme style mainly starts from several relatively prominent topics selected by the film, such as women-dilemma and rebirth, limb-taboo and fate, etc. Hope-love and redemption these three aspects to explain. Finally, the conclusion mainly discusses the success and practical significance of the commercialization of Li Yu's literary and artistic films. The personal style of Li Yu's literary and artistic films is obvious and has the characteristics of the new generation of female directors. The biggest difference between Li Yu's literary and artistic films and other female directors lies in her enthusiasm for the meaning of her works. In her film we see the hope of love and redemption, the respect and awe of faith and life. For women who believe in fate and do not want to be trapped in the spirit of fate, this kind of literature and art film is nutritious and valuable to present and future generations.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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