1998年版与2011年版《水浒》电视剧的比较研究
发布时间：2018-07-28 13:15
【摘要】：本文对1998年版和2011年版《水浒传》进行了比较研究，，主要有以下几个方面：一、人物论--对新旧两版塑造的人物进行了对比；二、情节论--对新版所增加的情节进行了归纳分析；三、别论篇--对人物服饰、语言进行了对比研究；四、归因篇--对上述不同原因进行了总结。本文旨在通过对《水浒传》的批评研究揭示出二十一世纪人们对影视改编的态度及其新的审美特点。 通过比较，本文认为，新版《水浒传》有许多新意，在某些方面是成功的。比如对宋江人物的塑造、对“淫妇”的重新审视都是新版《水浒传》的亮点。但是它也有自身的局限性，比如对爱情戏的描写就带有深深的时代特点。
[Abstract]:This article has carried on the comparative research to the 1998 edition and the 2011 edition "Water margin", mainly has the following several aspects: first, the personage theory-has carried on the contrast to the new and the old edition molds the character; second, Plot theory-the new version of the added plot is summarized and analyzed; third, the different articles on the characters clothing, language comparative study; fourth, attribution chapter-to summarize the different reasons mentioned above. The purpose of this paper is to reveal people's attitude towards film and television adaptation and its new aesthetic characteristics in the 21 century through the critical study of Water margin. Through comparison, this paper holds that the new edition of Water margin has many new ideas and is successful in some aspects. For example, the portrayal of the characters of Song Jiang and the re-examination of the prostitute are the highlights of the new edition of the Water margin. But it also has its own limitations, such as the description of love drama with a deep characteristics of the times.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2150266
[Abstract]:This article has carried on the comparative research to the 1998 edition and the 2011 edition "Water margin", mainly has the following several aspects: first, the personage theory-has carried on the contrast to the new and the old edition molds the character; second, Plot theory-the new version of the added plot is summarized and analyzed; third, the different articles on the characters clothing, language comparative study; fourth, attribution chapter-to summarize the different reasons mentioned above. The purpose of this paper is to reveal people's attitude towards film and television adaptation and its new aesthetic characteristics in the 21 century through the critical study of Water margin. Through comparison, this paper holds that the new edition of Water margin has many new ideas and is successful in some aspects. For example, the portrayal of the characters of Song Jiang and the re-examination of the prostitute are the highlights of the new edition of the Water margin. But it also has its own limitations, such as the description of love drama with a deep characteristics of the times.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
【参考文献】
相关期刊论文 前10条
1 张家国;;在“淫妇”的周围——以潘金莲、阎婆惜、潘巧云的被杀事件为背景的文本解读[J];长江工程职业技术学院学报;2006年04期
2 张家国;;另一种丑化——以扈三娘、孙二娘、顾大嫂为考察对象[J];长江工程职业技术学院学报;2007年03期
3 秦军荣;;《水浒传》中阎婆惜形象评析[J];电影评介;2009年01期
4 王小丽;论《水浒传》的受招安及悲剧结局[J];福建商业高等专科学校学报;2004年03期
5 孙彦君;从“淫妇”到人性的扭曲——浅析电视剧《水浒传》中的潘金莲[J];福建艺术;1998年02期
6 李跃红;现代视角:电视剧《水浒传》的深层改造[J];当代文坛;1998年06期
7 李真瑜;;潘金莲 潘巧云 阎婆惜——《水浒传》女性形象小议[J];古典文学知识;1998年04期
8 孙坚白;谈《水浒》中三个被杀的女性[J];社会科学;1985年03期
9 刘文德;;千曲百折 奇不失真——谈《水浒》情节的艺术特色[J];河北师范大学学报(哲学社会科学版);1984年04期
10 梁海;从《水浒传》中潘金莲、阎婆惜、潘巧云的形象塑造来谈施耐庵创作的矛盾心态[J];海南广播电视大学学报;2003年01期
本文编号：2150266
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2150266.html
