新时期中国小说与电影中的土匪形象研究
发布时间：2018-07-28 14:56
【摘要】：土匪是中国社会的一道黑风景和一股暗力量，是一种特殊的历史产物。作为社会性的客观存在，随着其滋生的环境一并消失殆尽，但是作为审美性的艺术想象却愈发地丰富多彩，成为最为鬼魅的文化母题之一。 本论文除绪论和结语外，分为三部分。结合小说与电影从不同艺术角度重新解读土匪形象的塑造。 绪论部分主要对论文的选题背景及意义、研究现状和研究问题进行简单论述，指出论文创新点主要体现在对新时期以来影视创作中的土匪书写进行梳理归纳和对小说与电影中土匪形象的塑造进行比较研究两个方面。 第一章，主要分析土匪的溯源及发展，包括对土匪进行定义与界定和对新时期以来小说与电影关于土匪的观照进行梳理归纳。 第二章，主要分析新时期以来小说与电影中土匪形象的塑造，并将其划分为四类，一是异己者、暴徒与恶魔，二是逆反者、复仇者与斗士，，三是原罪者、边缘者与乡民，四是侠义者、革命者与英雄；简析土匪形象的文化内涵、历史价值和时代意义。 第三章，主要分析新时期以来小说与电影中土匪形象的差异，重点选取小说改编电影作比较研究，从人物性格（电影出场），人物发展（电影情节）和人物命运（电影谢幕）三个方面分析人物塑造的不同。 结语部分指出当今影视创作中土匪书写的缺陷和不足，窥探在不同艺术互动发展中土匪书写的未来。
[Abstract]:Bandits are a dark landscape and a dark force in Chinese society, which is a special historical product. As a social objective existence, with its breeding environment disappeared, but as an aesthetic artistic imagination is increasingly rich and colorful, become one of the most ghost cultural motif. In addition to the introduction and conclusion, this paper is divided into three parts. Combining novel and film, the author reinterprets the image of bandits from different artistic angles. In the introduction part, the background and significance of the topic, the current research situation and the research problems are briefly discussed. It is pointed out that the innovation of this paper is mainly reflected in the combing and induction of bandit writing in film and television creation since the new period and the comparative study on the creation of bandit images in novels and movies. The first chapter mainly analyzes the origin and development of bandits, including the definition and definition of bandits and combing and summing up the reflection of bandits in novels and movies since the new period. The second chapter mainly analyzes the creation of bandit images in novels and movies since the new period, and divides them into four categories, one is the alien, the other is the mob and the devil, the other is the rebel, the Avenger and the fighter, the third is the original sinner, the marginal and the villagers. The fourth is chivalrous, revolutionary and hero, and briefly analyzes the cultural connotation, historical value and time significance of bandit image. The third chapter mainly analyzes the differences between the bandit images in novels and movies in the new period, and focuses on the comparative study of novel adaptation films. This paper analyzes the differences in character (movie appearance), character development (movie plot) and character fate (film final curtain) from three aspects: character (movie appearance), character development (movie plot) and character destiny (film final curtain). The conclusion part points out the defects and shortcomings of bandit writing in film and television creation and explores the future of bandit writing in the interactive development of different arts.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.42;J905
本文编号：2150605
[Abstract]:Bandits are a dark landscape and a dark force in Chinese society, which is a special historical product. As a social objective existence, with its breeding environment disappeared, but as an aesthetic artistic imagination is increasingly rich and colorful, become one of the most ghost cultural motif. In addition to the introduction and conclusion, this paper is divided into three parts. Combining novel and film, the author reinterprets the image of bandits from different artistic angles. In the introduction part, the background and significance of the topic, the current research situation and the research problems are briefly discussed. It is pointed out that the innovation of this paper is mainly reflected in the combing and induction of bandit writing in film and television creation since the new period and the comparative study on the creation of bandit images in novels and movies. The first chapter mainly analyzes the origin and development of bandits, including the definition and definition of bandits and combing and summing up the reflection of bandits in novels and movies since the new period. The second chapter mainly analyzes the creation of bandit images in novels and movies since the new period, and divides them into four categories, one is the alien, the other is the mob and the devil, the other is the rebel, the Avenger and the fighter, the third is the original sinner, the marginal and the villagers. The fourth is chivalrous, revolutionary and hero, and briefly analyzes the cultural connotation, historical value and time significance of bandit image. The third chapter mainly analyzes the differences between the bandit images in novels and movies in the new period, and focuses on the comparative study of novel adaptation films. This paper analyzes the differences in character (movie appearance), character development (movie plot) and character fate (film final curtain) from three aspects: character (movie appearance), character development (movie plot) and character destiny (film final curtain). The conclusion part points out the defects and shortcomings of bandit writing in film and television creation and explores the future of bandit writing in the interactive development of different arts.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.42;J905
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本文编号：2150605
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