新世纪以来国产喜剧电影中悲剧意识的嬗变
发布时间：2018-07-28 18:20
【摘要】：新世纪开始,喜剧电影作为主要的大众娱乐方式在类型电影中越来越受到受众的关注,喜剧电影的创作也越来越显现出多样化的特征。悲剧意识作为喜剧效果的一种建构手段也愈发明显地展现在观众视野当中。随着政治经济文化的快速发展,喜剧电影在后现代文化语境和娱乐至死的大众文化的双重作用下发生了巨大的改变。传统的喜剧电影以歌颂、讽刺、戏耍的形态达到“以笑制喜”的目的。但是现今多元化的喜剧电影越来越呈现出黑色幽默、解构权威和悲喜交融的发展态势。因而单纯分析电影中的喜剧性已经不适用于当今的喜剧形式研究。因而文章选取了喜剧电影“以悲制喜”的喜剧手段,从而能更好的理解新世纪喜剧电影的创作机制。文章以2000年——2017年初的喜剧电影作为研究对象,选取了有代表性的广泛被受众认知的53部喜剧电影进行文本分析和内容分析。通过对新世纪以前的喜剧电影发展脉络和内容的梳理和分析,得出了悲剧意识一直作为潜在元素支撑着喜剧的精神内核的结论。并且根据政治经济文化语境的转变将新世纪以来的喜剧电影归纳为四个发展阶段,对每个阶段悲剧意识在其中的共性和特性加以阐释。文章应用了叙事学的结构主义分析法从题材、人物、情境等方面对文本进行解码,阐释了悲剧意识在喜剧电影中的具体构建方法。并且从美学角度出发,根据黑格尔的喜剧论和巴赫金的“狂欢理论”解析了喜剧电影当中悲剧意识产生的心理机制。基于以上分析,文章最后对当今喜剧电影的不足和缺陷加以关注,并指出悲剧意识对喜剧电影创作的重要影响,通过对后现代文化语境的分析对未来喜剧电影中的悲剧意识的建构方向提出建设性意见。文章讨论主要的问题有:悲剧意识在喜剧电影研究中的必要性、悲剧意识作为叙事手段的具体构建方式、喜剧电影中悲剧意识产生的心理机制以及喜剧精神内核如何引起观众的情感认同。希望通过对这些问题的研究,唤起喜剧电影创作者对内容的进一步认识,改变当今一些喜剧电影“言之无文,行而不远”的现状。
[Abstract]:At the beginning of the new century, comedy film, as the main way of popular entertainment, has attracted more and more attention from the audience in the genre movies, and the creation of comedy films has more and more diversified characteristics. As a means of constructing comedy effect, tragedy consciousness is more and more obvious in audience's vision. With the rapid development of political economy and culture, comedy films have undergone tremendous changes under the dual roles of postmodern cultural context and popular culture of entertainment to death. The traditional comedy films achieve the purpose of "laugh and laugh" in the form of singing, satire and juggling. But nowadays the multiplex comedy movie more and more presents the black humor, the deconstruction authority and the sad and happy blend development tendency. Therefore, the analysis of comedy in movies is no longer suitable for the study of comedy forms. Therefore, the article chooses the comedy means of comedy film "making joy with sorrow", so as to better understand the creative mechanism of comedy film in the new century. This paper takes the comedy films from 2000 to 2017 as the research object, and selects 53 comedy films which are widely recognized by the audience for text analysis and content analysis. By combing and analyzing the development of comedy film before the new century, the author draws the conclusion that tragedy consciousness has been supporting the spirit core of comedy as a potential element. According to the transformation of the political, economic and cultural context, the comedy films since the new century are summed up into four stages of development, and the commonness and characteristics of the tragic consciousness in each stage are explained. This paper applies the structuralism analysis of narratology to decode the text from the aspects of subject matter, character and situation, and explains the concrete construction method of tragedy consciousness in comedy film. According to Hegel's theory of comedy and Bakhtin's Theory of Carnival, this paper analyzes the psychological mechanism of tragic consciousness in comedy film. Based on the above analysis, the article finally pays attention to the shortcomings and defects of comedy films, and points out the important influence of tragedy consciousness on comedy film creation. Based on the analysis of postmodern cultural context, constructive suggestions are put forward for the construction of tragic consciousness in future comedy films. The main problems discussed in this paper are: the necessity of tragedy consciousness in the study of comedy films, the concrete way of constructing tragedy consciousness as a means of narration, The psychological mechanism of tragic consciousness in comedy film and how to arouse the emotional identity of audience. It is hoped that through the study of these problems, the creators of comedy films will have a better understanding of the content and change the present situation of some comedy films which have no words, no words and no way to go.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2151201
[Abstract]:At the beginning of the new century, comedy film, as the main way of popular entertainment, has attracted more and more attention from the audience in the genre movies, and the creation of comedy films has more and more diversified characteristics. As a means of constructing comedy effect, tragedy consciousness is more and more obvious in audience's vision. With the rapid development of political economy and culture, comedy films have undergone tremendous changes under the dual roles of postmodern cultural context and popular culture of entertainment to death. The traditional comedy films achieve the purpose of "laugh and laugh" in the form of singing, satire and juggling. But nowadays the multiplex comedy movie more and more presents the black humor, the deconstruction authority and the sad and happy blend development tendency. Therefore, the analysis of comedy in movies is no longer suitable for the study of comedy forms. Therefore, the article chooses the comedy means of comedy film "making joy with sorrow", so as to better understand the creative mechanism of comedy film in the new century. This paper takes the comedy films from 2000 to 2017 as the research object, and selects 53 comedy films which are widely recognized by the audience for text analysis and content analysis. By combing and analyzing the development of comedy film before the new century, the author draws the conclusion that tragedy consciousness has been supporting the spirit core of comedy as a potential element. According to the transformation of the political, economic and cultural context, the comedy films since the new century are summed up into four stages of development, and the commonness and characteristics of the tragic consciousness in each stage are explained. This paper applies the structuralism analysis of narratology to decode the text from the aspects of subject matter, character and situation, and explains the concrete construction method of tragedy consciousness in comedy film. According to Hegel's theory of comedy and Bakhtin's Theory of Carnival, this paper analyzes the psychological mechanism of tragic consciousness in comedy film. Based on the above analysis, the article finally pays attention to the shortcomings and defects of comedy films, and points out the important influence of tragedy consciousness on comedy film creation. Based on the analysis of postmodern cultural context, constructive suggestions are put forward for the construction of tragic consciousness in future comedy films. The main problems discussed in this paper are: the necessity of tragedy consciousness in the study of comedy films, the concrete way of constructing tragedy consciousness as a means of narration, The psychological mechanism of tragic consciousness in comedy film and how to arouse the emotional identity of audience. It is hoped that through the study of these problems, the creators of comedy films will have a better understanding of the content and change the present situation of some comedy films which have no words, no words and no way to go.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
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