伊文思纪录片研究

发布时间：2018-08-11 13:30

【摘要】：纪录片一直被认为是反映现实的一种有力形式,运动着的视听语言,纪实的美学风格让它同时承担着再现和重构的双重使命。作为影视艺术研究中一个重要的内容,纪录片承载着它自身表达、传播、以及提供娱乐的功能,特别是它同时代技术手段发展不可分割的关联性,让纪录片“纪录”、“真实”的核心观念有着关照现实的巨大价值,而观众也通过对纪录片的接受和欣赏来建构起一种社会的、历史的、文化的审美理想。纪录片的审美价值是纪录片创作者永恒的追求之一,虽然不同于故事片的艺术表达手段,但这种美感的传达和纪录片的灵魂始终血脉相连,它同样通过创作者的主体意识融入到了纪录片作品当中,结合创作者对于现实创作客体的关照,通过个人化思考从而进行制作,而这个过程便是创作者主体意识的审美创造过程。这种审美性不仅需要通过精美的画面和蒙太奇手段等营造美的愉悦感,而在突出视觉愉悦美感的同时,更是对审美价值的思考。审美价值的思考并非是单一的,很多时候是同作品本身的哲理性思辨结合在一起的。作为纪录片研究的一个典型范例,伊文思以他漫长的创作历程为我们讲述着他对于纪录片美感的认识以及这种美感的特征,本文就是从他对观念的“真实”的认识、虚构的合理性与作用、纪录片的功用性的探索以及纪录片视听语言的双重品格等几个方面来进行人物及作品研究,并进而对纪录片的审美问题进行探索的。这种探索最终还是让我们的关注点回到了纪录片的灵魂“真”与“美”的关系中来。而伊文思本人的创作更是为我们提出了一些经典又常新的问题,比如象征,比如纪录片可能有的多元风格和作为现象的伊文思等等。本文将在继承前人研究成果的基础上,主要运用文艺学的、美学的、影视艺术学的、传播学的和批判学派的方法,采用文本分析、理论归纳等具体手段,以伊文思的生平及其作品为主要研究对象进行分析研究,从而继续探讨这种美感是如何构成、如何传达、如何对观看者产生影响的,特别是接受主体在纪录片中是通过何种语言来接收美的传播。本论文的具体章节安排如下：第一章,即前言部分主要是对研究背景、目的、现状进行介绍；第二章则对伊文思纪录片的主要创作阶段及重点作品作出了介绍,对伊文思的创作生涯和重点文本作了具体的影视语言分析；第三章着力探讨了伊文思作品的政治倾向对其纪录片创作的影响,这一部分运用了社会历史的角度加以考察,对伊文思纪实作品的思想内容作了深刻剖析；第四章从伊文思的创作来分析纪录片这一艺术形式的审美性特征及其表达,并对伊文思的独特性进行再思考；第五章是本文的结论部分,对论文命题进行了高度的研究总结。
[Abstract]:Documentary has always been regarded as a powerful form of reflection of reality, moving audio-visual language, documentary aesthetic style makes it assume the dual mission of reproduction and reconstruction. As an important part of the study of film and television art, documentary film carries its own functions of expression, communication, and entertainment, especially its inseparable relationship with the development of technology and means of the times, so that documentary film "record" can be achieved. The core concept of "reality" has the great value of taking care of the reality, and the audience constructs a kind of social, historical and cultural aesthetic ideal by accepting and appreciating the documentary. The aesthetic value of documentary is one of the eternal pursuits of documentary creators. Although it is different from the artistic expression means of feature films, the transmission of this aesthetic sense is always related to the soul of the documentary. It also integrates the subject consciousness of the creator into the documentary works, and combines the care of the creator for the object of realistic creation, through personal thinking to make it. This process is the aesthetic creation process of the creator's subjective consciousness. This kind of aesthetic not only needs to create the pleasant feeling of beauty through exquisite pictures and montage means, but also to think about the aesthetic value while highlighting the aesthetic sense of visual pleasure. The thinking of aesthetic value is not single, it is often combined with the philosophical thinking of the work itself. As a typical example of documentary research, Evans tells us about his understanding of documentary aesthetics and its characteristics with his long creative history. This article is based on his understanding of the "truth" of ideas. The rationality and function of fiction, the exploration of the function of documentary and the dual character of audio-visual language of documentary are studied in the aspects of characters and works, and then the aesthetic problems of documentary are explored. This exploration ultimately brings us back to the relationship between the soul and beauty of the documentary. And Evans himself has also raised some classic and new questions for us, such as symbolism, such as documentary may have a variety of styles and as a phenomenon of Evans, and so on. On the basis of inheriting the previous research achievements, this paper will mainly use the methods of literature and art, aesthetics, film and television art, communication and critical school, and adopt specific means such as text analysis, theoretical induction, etc. Based on the life of Evans and his works as the main object of study, so as to continue to explore how this aesthetic sense of composition, how to convey, how to affect the viewer, In particular, the subject receives the spread of beauty through what language in the documentary. The specific chapters of this thesis are arranged as follows: the first chapter, the preface mainly introduces the background, purpose and current situation of the research; the second chapter introduces the main creative stage and key works of Evans documentary. The third chapter mainly discusses the influence of the political tendency of Evans' works on his documentary creation, which is studied from the perspective of social history. The fourth chapter analyzes the aesthetic characteristics and expression of the artistic form of documentary film from the perspective of Evens' creation, and reconsiders the uniqueness of Evans. The fifth chapter is the conclusion of this paper.
【学位授予单位】：中国海洋大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

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