电影中饮食的符号学研究

发布时间：2018-08-11 15:12

【摘要】：饮食是人类所共有的一切事物中最为本质性的,从原始社会起,它就被赋予了其自身存在之外的含义,成为象征符号。而电影自诞生之日起就与饮食符号结下了不解之缘,或为叙事的载体,或为情感表达的依托、或是文化内蕴的表征,影片中的人物、情节及意蕴均与之息息相关。饮食符号的意指由其所处的具体环境决定。创作主体通过对电影中相邻符号链的灵活组合,使饮食符号在不同的结构形式中具有不同的意义:一是饮食符号作为叙事的载体、烹武同构所蕴含的社会意义;二是饮食符号与性或情欲相结合的情色化象征;三是饮食符号作为情感表达的依托而存在,与人物的情感紧密联系;四是饮食符号表征文化内蕴,从中可以看到本民族的民族文化及与西方文化的差异。电影的表意与阐释,更多地取决于观影主体。在电影的制作过程中,创作主体必须时刻牢记以此刻缺席的未来观众的观看为前提;而在观影过程中,观影主体的想象力则是银幕世界的起源,其对于摄影机的认同和对影片中角色的认同是理解电影的基础。在这两个层次的认同基础之上,观影主体认同于影片中以食物本身、饮食器具、烹调方式、进餐形式、进餐场景等为能指的饮食象征符号及其背后的深层意蕴:情感欲望、仪式性格、政治意涵、民族文化及礼仪规范等。此外,由于主体位置的颠覆及想象的匮乏,造成的观影过程中的接受差异,将会导致观影主体对影片中饮食符号运用的不认同。
[Abstract]:Diet is the most essential of all things common to mankind. From the primitive society, it has been endowed with a meaning beyond its own existence and become a symbolic symbol. Since the birth of the film, it has been inextricably related to the dietary symbols, either as the carrier of narration, the support of emotional expression, or the representation of cultural connotation. The characters, plot and implication of the film are closely related to it. The meaning of a dietary symbol is determined by the specific circumstances in which it is located. Through the flexible combination of the adjacent symbols in the film, the creative subject makes the dietetic symbols have different meanings in different structural forms: first, the dietetic symbols are the carrier of narration, and the social significance of the cooking isomorphism; The second is the sexualized symbol of the combination of dietary symbols and sex or desire; the third is the existence of dietary symbols as the support of emotional expression, which is closely related to the emotions of characters; the fourth is the cultural connotation of dietetic symbols. From this, we can see the difference between the national culture and the western culture. The meaning and interpretation of the film depends more on the subject. In the process of making the film, the creative subject must always bear in mind the premise of the future audience who is absent at the moment, while in the process of watching the film, the imagination of the subject is the origin of the screen world. The recognition of the camera and the role in the film is the basis of understanding the film. On the basis of these two levels of identification, the main body of the film agrees that the signified symbols and their underlying implications are food itself, eating utensils, cooking methods, eating forms, dining scenes and so on: emotional desire, and so on. Ritual character, political implications, national culture and etiquette norms. In addition, due to the subversion of the subject's position and the lack of imagination, the difference in the acceptance of the viewing process will lead to disapproval of the use of dietary symbols in the film.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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